30 Questions With Photographer Jamie Marcellus

Welcome back for another installment of the “30 Questions With Photographer…” series. For this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about.

The next photographer I’m featuring is a personal favorite. Whether they’re images from his morning run, or amazing portraits, they are instantly recognizable and stand out as unique.

He also is another photography from across the northern border that I’d love to meet in person some day. Hopefully the borders will open soon, as we continue to battle this awful pandemic.

I also want to send out a heartfelt apology to this photographer for taking so long to get this blog post up. He did his part months ago (I’m not exaggerating) and you should have been reading this much sooner than now. Sir, I apologize and thank you for your patience. When we meet up for a photowalk, the film is on me!

The next photographer I want to introduce you to is Jamie Marcellus.

Q: What is your name and where do you live?

A: Jamie Marcellus. Scarborough, Ontario, Canada.

Q: How can people contact you?

A: www.jsmarcellusphoto.com. @jsmarcellusphoto. I am on Flickr as well, FB, all the socials!

Q: If we’ve met, how do we know each other?

A: In true 2020 fashion, on Zoom, does that count?

Q: What is your earliest memory of taking a photography?

A: Over the past few years I would take photos during my morning run, mostly sunrises and such with my phone. I remember taking photos growing up, but basically started with film a little over 18 months ago, with a serious push over the last 10 months. Over a few months I have worked at exposing a ton of film, developing a consistent style and really studying some of the masters.

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: In 135 my go to is my slightly bruised black paint OM1 – my first film camera. Fitted with a 50mm/f1.4 can’t be beat. I have recently jumped headfirst into 4x5 – I was gifted a Cambo SC from a fellow photographer John M. My go to lens on it is a 10.5cm Tessar f3.5 shutterless barrel lens.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: I think one always lusts after Leica’s and such, but I have really put that aside as I am generally really happy with the handling of and the quality of photos I get from all of my current cameras. I guess now I am really looking at 8x10’s and maybe larger as I contemplate wet plate photography.

Q: Is there a camera you no longer have that you miss?

A: No, I have only been doing this for a short time, and haven’t really bought a pile of cameras.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I really enjoy portraits and landscapes. Portraits because I find you can really pull emotion out of the frame and build a story out of it. Landscapes because I hike and run and really enjoy the outdoors. I try to find that same soul in landscapes though certainly it is much tougher. Mostly I end up creating these sort of dream like pictures when it goes well.

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: I am 99% film.  I know with Adobe Lightroom and photoshop, you can pull film like qualities in digital but to me there is something special with creating something by hand.  I also print and quite like the pace of it.  Also, film allows for these happy accidents which is why I purposely am sloppy in the development process as well as rarely using a meter.  While I fail way more than when I succeed, when I do, it is magical.  The other part is magic.  When you develop film, the process is otherworldly.  You never quite know what you’ll get, and that is just really special.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: Back in the spring when I was really putting in the work to get better, I was going through 15-20 rolls a week.  While I have slowed a bit, I have made up for that in 4x5 sheets.  I probably expose a dozen or so sheets a week, with one or two printing sessions through in there.

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I mean portraits mostly require another person, so that counts right?

Q: What is your favorite black and white film right now and why?

A: In 4x5, I am really enjoying Fomapan 100. It has a nice tonal range and the with the lens I produce really soft dreamy images which I like. In 135 I have been very partial to Ilford hp5 usually at 800, though I forgot how great Tmax was when you nail it. The midtones are just wonderful. I also use Arista Ortho in both formats as it has natural happy accidents when you develop in exhausted paper developer.

Q: What is your favorite color film right now and why?

A: I rarely expose colour.  I think I made 3 rolls out of probably 300-400 rolls this year.  It never looks how I imagine it should and so I have just stopped trying. 

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: It is a wonderful creative outlet for me.  It’s a time to use my small brain in another way and there is something pleasing with making something by hand. 

Q: Best experience while taking photographs?

A: I think every time you take the film out of the developer/fixer and there is an image is pretty special. I still get excited every time.

Q: Most emotional experience while taking photographs?

A: I have been really fortunate to have a couple of photos selected for publication which is overwhelming as I still feel like a total beginner. But I am immensely humbled and grateful.

Q: Worst experience while taking photographs.

A: Maybe I am lucky, but don’t think I have had one.

Q: Tell me about something related to photography you want to learn.

A: I am really interested in wet plate. The aesthetic, the process and the weirdly magical accidents that will likely happen as I am not the most particular when it comes to measuring temperatures, chemicals etc. I take a lazy, haphazard approach, which I imagine will make wet plate even more interesting.

Q: Tell me about something NOT related to photography you want to learn.

A: I am pretty linearly obsessed. I am sure there are other things, but photography is all-consuming for me.

Q: What does your family/loved ones think/feel about your photography?

A: I think they recognize it brings me joy, and so they are at peace with it. And my kids, who are often my models, have reluctantly accepted it. They have each had a portrait or two published so I think that gives me street cred with them.

Q: What is the last photography related book you’ve acquired?

A: Sally Mann’s ‘A Thousand Crossings’ is probably the latest addition – I absolutely love her work, and it has a big influence on me and what I am looking to achieve.  I have also been looking at a ton of Julia Margaret Cameron books I got from our local library.  Her stuff is incredible, I am currently obsessing over her work.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: @jtinseoul who is a mentor who really worked with me this past spring – his work is wonderful and he has really great story telling. Another is @nicholasdominictalvola – he is an absolutely amazing artist. His printing is amazing.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have sold a few prints and also did some specific work for clients. I would absolutely do it again. The client work is stressful because you are really trying to please someone else. They probably select you because of your style, but it is still nerve-wracking as you want to ensure they see value in the work. This is different from my usual stuff as I make it for me and what pleases me. If someone is also happy with it and would like to purchase, that’s a bonus, but I generally find this more peaceful type of work. Though I would do both. My advice is make photos for you. If you do that, maybe the other stuff will follow.

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: I am working on a series called consuming nature – a series of self portraits and landscape/nature photos taken on my 4x5. I have made about 75 plates I am happy with, though I will continue to work on this over the next year to year and ½ and then cull the work. There is an odd accumulation that happens. You make a great (to you) photo, and then you have to make a better one to follow. And so the bar keeps getting raised where you are chasing this constant improvement. I wonder how it will be when I look back on those early plates and wonder if I will still love them.

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Not especially so. 

Q: Where is your favorite location to shoot (specific place or type of place)?

A: There is a large natural forest near us called Rouge National Park. I have literally run hundreds of miles through there and hiked just about as many but always find something new and interesting or changing as mother nature works in her wondrous ways.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Portraits – the same people, but with different light, emotion, feeling. It is part of the amazing thing about film – light is always a little different and the film reacts a little uniquely each time.

Q: Favorite thing about the photographic community?

A: Everyone is so welcoming – as a newbie starting out, people have been exceptionally patient with all the questions and the local community in Toronto has been really great – people are always gifting, trading or generally offering up film, gear and advice, its really amazing.

Q: What do you think the photographic community is missing?

A: Probably a really great place to share work.  FB, IG and other places are ok, but don’t really allow for the ability to study work and take it all in.  it’s a little too instant.  Some say the original Flickr was like this, but I wasn’t into photography then. 

Q: Biggest photography related pet peeve?

A: Its probably self-inflicted. Stupid things like not loading film properly, or dropping cameras and such.

Q: What do you hope your photographic legacy will be?

A: I’ve not really though of it. The photos are mostly for my own desire and opportunity to be creative. If someone can enjoy or make sense of it all, I guess that would be swell.

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: My grandfather. Unfortunately he passed away before I really started into photography, at least in any meaningful way. He was my father figure growing up, and taught me my love for the outdoors. I would love to have him sit for me and take a lovely long exposure portrait of his kind smile.

If you aren’t already familiar with Jamie’s work, I do hope this inspired you to visit the various social media outlets where Jamie share’s his work and give it a look. I am personally amazed by the emotion Jamie is able to capture in this photos. He is truly an inspiration to me.

30 Questions With Photographer Neil Piper

It’s time again for another installment of the “30 Questions With Photographer…” series. For this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about.

The next photographer I’m featuring is well known in the film photography community. He even has a film photography podcast.

While I’ve never met this person in real life, we connect frequently through social media, and I hope to be able to go shooting with him one day.

The next photographer I want to introduce you to is Neil Piper.

Accidental Self Portrait - Zero Image 2000 - Fuji Acros

Accidental Self Portrait - Zero Image 2000 - Fuji Acros

Q: What is your name and where do you live?

A: Neil Piper. Suffolk in the UK, pretty much as far east as you can get on the mainland.

Q: How can people contact you?

A: www.neilpiper.com. @neil_piper. My website and my Instagram are definitely the best places to contact me. I can also be found floating around the Negative Positives Facebook group. I have a podcast called Soot & Whitewash and anyone is welcome to contact me through that platform as well.

Q: If we’ve met, how do we know each other?

A: We’ve never met in person, but we chat a lot online and through messenger. I believe we first came into contact though the Negative Positives Facebook group and you’re now a valued member of my Project Box Camera, err, project.

Brimham Rocks - Bronica ETRS - HP5 - Cyanotype

Brimham Rocks - Bronica ETRS - HP5 - Cyanotype

Q: What is your earliest memory of taking a photography?

A: I can remember at an early age getting a ‘Mighty White’ branded 110 camera, you know one of those ones that came when you collected tokens from a product – in this case bread! The 110 cartridge was bigger than the camera and stuck out the side! I don’t think I ever had any film for it, but my brother and I used to pretend that we were taking photographs. Years later I tracked one of these cameras down on eBay and I keep it as a fond memory. Aside from that really no real memory of taking photographs other than on my phone until 2012 when I bought a digital compact camera to go travelling Europe with. That was incidentally the camera that introduced me to photography and this whole deep rabbit hole!

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Urgh…that’s tough, and really depends on what I’m doing…! SLR…? Olympus OM1. My Reality So Subtle 6X6F is a fantastic medium format pinhole camera, and I’ve just got in deep with my Speed Graphic for large format…! I’ve also just picked up a 1917 Vest Pocket Kodak 127 camera and I can see that being a lot of fun!

Reality So Subtle 6X6F - Fuji Acros

Reality So Subtle 6X6F - Fuji Acros

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: A Chroma large format camera. They look incredible, and the tech specs for the money is simply unbeatable. Their creator Steve Lloyd is an awesome chap and I have nothing but respect for him and his products, and someday soon I hope to be able to show my support for his business with a purchase or two.

Q: Is there a camera you no longer have that you miss?

A: Does my OM1 count? I don’t use it much because it's developing some issues. It really needs to be sent away for a service but, you know…cash and all that. I miss using that but actually cameras I’ve gotten rid of…? Who gets rid of cameras…?!

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I try and steer clear of ‘genres’ of photography. When pressed I call myself an ‘opportunist’ photographer. I will point my camera at anything that I find interesting – I’m not fussed if it’s a landscape or a person or a still life etc. I like to document life and history, so maybe I’ll accept the term documentary photographer…

Reality So Subtle 6X6F - Ilford FP4 - VanDijk Print

Reality So Subtle 6X6F - Ilford FP4 - VanDijk Print

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: I prefer film. Well that’s not entirely true. I prefer the whole process that I get when using a film camera. From loading the film, the tactile nature of using the actual camera, developing the negatives and then making a print in the darkroom. I use digital cameras at work and that’s where it remains, at work. I’ll shoot a lot on my phone as well but that’s mainly pictures of the family and locations that I would like to revisit and need to remember.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: Recently it’s down to maybe a roll and a couple of sheets a week.

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I like both. If I’m out with others I’ll often spend the time catching up and then shoot very little, but when I’m out on my own I find myself wishing I had others to talk to. I’m doing quite a bit of 4x5 at the moment and I find that that takes my full concentration, so probably best to be on my own otherwise I’d start wasting sheets by making silly mistakes…!

Speed Graphic - Ilford Delta 100 - Caffenol CH

Speed Graphic - Ilford Delta 100 - Caffenol CH

Q: What is your favorite black and white film right now and why?

A: Again, very tough question. When you initially asked this, I thought Ilford FP4. I love the grain structure, and I’ve had great results pushing it to a variety of speeds. It develops well in both Caffenol and Rodinal and they’re pretty much what I use exclusively. I am working quite a lot with sheets of Fomapan 400 though, and although not my favorite right now I can see that it's getting close! I have also gone deep at the moment for 35mm with Kentmere 400. It’s a wonderfully versatile film and I’ve had great results shooting it at box speed, ISO100 and 200 and with both yellow and red filters. For the money you really cat go wrong. It’s part of Ilford's budget range but I honestly prefer it to some of their more premium products.

Marsh House - Kentmere 400 - Vest Pocket Kodak

Marsh House - Kentmere 400 - Vest Pocket Kodak

Q: What is your favorite color film right now and why?

A: I don’t really tend to shoot colour. I do like what others do with the range of Kodak Portra films though. I have a couple of rolls of Lomography Metropolis sitting in the fridge that I’m actually looking forward to trying after seeing other people’s results. Maybe once the world gets back to some sense of normality I can go out and shoot some street work with it. That’s the plan anyway.

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: …I find it the best way for me to document my life, and I love using cameras – regardless of the resulting images that come out of them.

Q: Best experience while taking photographs?

A: Back in March I took a day to travel up to Yorkshire in the UK to make some work. It was just before the COVID-19 lockdown had been imposed but an event to be attended my many film photographer friends had already been cancelled and for my own mental wellbeing I needed to get out and make some work. I had a wonderful day using several cameras and films and not having to worry about anything else that was going on. I recorded my thoughts that day and it became episode 49 of Soot & Whitewash. I made many images that I love that day and am currently still working through printing them in the darkroom.

Q: Most emotional experience while taking photographs?

A: I’m not sure I’ve had a really emotional experience whilst actually taking photographs, that tends to come when I print them later. My Nan passed away recently and when printing some shots of her at her 90th birthday party a few years back, in the darkroom I got quite emotional thinking about her and how my mum would react when seeing these photographs.

Q: Worst experience while taking photographs.

A: An unpublished, possibly unfinished project that I loosely titled ‘Never Meet Your Heroes.’ A few years back I took two days away to visit an area of the UK that I have very fond childhood memories of. The beach, wonderful golden sand, sun and tourist shops, you know the stuff. Seaside holiday town. I visited and it was raining. Proper sideways rain at that. The town was geographically how I remembered but everything was grey and wet. Some of the shops I’d remembered were long gone. I visited the site of where we stayed as a family and it was precisely how I remembered. It was a static caravan in private field. I made the mistake of driving the car up to it so I could make a photograph or two, with the intention of driving off before my small bit of harmless trespassing was noticed. My car got stuck in the field. I chewed up the grass with the car, got freezing cold and soaking wet before admitting defeat and having to go and ask for help. I knocked on the door of the house and it was the same lady, the lady I remember as a kid. I explained to her what had happened and how sorry I was. She told me that she would love to help but it was the day of her husband’s funeral and everybody was otherwise occupied. Probably one of the worst experiences of my life, photography related or otherwise.

Speed Graphic.png

Q: Tell me about something related to photography you want to learn.

A: Printing. I currently print silver gelatin but my practice needs a lot of work, and I would like to try some more alt process printing. Also, I’d like to get deeper into mechanical camera repair and building.

Q: Tell me about something NOT related to photography you want to learn.

A: I’m currently trying to learn to draw. It’s not going great to be honest…!

Q: What does your family/loved ones think/feel about your photography?

A: They are all very used to it and understand that I need to do it. The kids think nothing of the fact that daddy nearly always has a camera in his hand! My wife is the single most understanding person in the world.

Linton Falls - Speed Graphic - Foma 400 - Cyanotype

Linton Falls - Speed Graphic - Foma 400 - Cyanotype

Q: What is the last photography related book you’ve acquired?

A: It was either ‘The History of Photography in 50 Cameras’ or a large stack of old Pinhole Journals. The 50 cameras book is amazing, and id thoroughly recommend it to anybody with an interest in photography and/or cameras. It’s the first book in a long while that I’ve read cover to cover and was genuinely sad that I finished!

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: Without even having to look at my phone the answer conspiracy.of.cartographers. Eric is a fantastic photographer and a wonderful person. Probably one of the first people that I made contact within the community and am proud to call him a friend. He has an aesthetic within his work that I believe is unique to him. His work is quite often of historical sites in America, and the effort he goes to understand the importance of these sites is second to none. I have massive respect for you Eric if you ever happen to read this…

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have had a couple of gallery showings and have sold photographs and small alt-process prints, and for sure I’d do it again. Advice? Don’t sell yourself short when it comes to pricing your work, and don’t take it personally if there’s not a mad rush to buy your work. The right people will come along and see the time and effort gone into something and appreciate it.

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: I have an ongoing project documenting a long removed narrow-gauge railway line that passed through the countryside very local to me. It started out being made in pinhole and being printed as Vandyke prints, but I have recently returned to it and am making images now with a range of cameras. My Vest Pocket Kodak is of the correct era and I would like to make some related work with that. The existing images can be found on my website.

Southwold To Halesworth 1 - Holga 120N - Ilford FP4

Southwold To Halesworth 1 - Holga 120N - Ilford FP4

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: If I’m honest not really, other than the getting the garden together in the house we moved into last year!

Q: Where is your favorite location to shoot (specific place or type of place)?

A: For sure the route of the Southwold to Halesworth narrow gauge railway line, mentioned a few questions ago.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Err..again, the railway line route!

That Shed - ONDU 6x12 Multiformat - Delta 400 - Cyanotype

That Shed - ONDU 6x12 Multiformat - Delta 400 - Cyanotype

Q: Favorite thing about the photographic community?

A: The sheer generosity of the people that populate it. Whether it’s a loaner of a piece of gear before you buy it, some information about something you’ve been struggling with, the podcasts that have spawned out of it and the friendships that have formed out of this fantastic group of people who share a common interest.

Q: What do you think the photographic community is missing?

A: A more accepting attitude to the fact that some people shoot digital, some people shoot film. Some people like this, some people like that. As far as photography as a hobby, photography is photography and people can do with it whatever the hell they want to do. There’s always that few bunch of dicks that insist that their way of doing things is the correct and therefore the only way of doing things. I don’t have time for those people and the hell hole forums and groups that they hang out in.

Q: Biggest photography related pet peeve?

A: Instagram likes and users chasing higher and higher numbers of followers.

Q: What do you hope your photographic legacy will be?

A: Some interesting work that doesn’t immediately end up in the bin the moment my stuff gets gone through! Although for that to stand a chance of happening I should really organize my negatives and prints better!

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: I would like to bring Henry Fox-Talbot to the present day, show him how photography has changed through the years, show him that the early processes of photography that he had a major part in defining are still used and photograph him in front of his famous window at Laycock Abbey with a 4x5 Chroma camera – a fitting example of a camera that embraces historic technology but with 21st century materials.

I think you’ll agree that Neil is an amazing photographer. I’ve always enjoyed his photography and viewing it always inspires me to pick up my camera and go shoot. To see more of Neil’s work, be sure to visit his website or Instagram. Also, be sure to give his podcast a listen. When I do, it always feels more like I’m sitting down and having a conversation with an old friend.

30 Questions With Photographer Jess Hobbs

Welcome back for another installment of the “30 Questions With Photographer…” series. For this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about.

The next photographer I’m featuring has been on many of the film photography social media hot spots lately, and for good reason. I first learned of this next photographer when she was a guest on the Negatives Positives Film Photography Podcast. Her energetic personality made me an instant fan. Upon seeing her work on Instagram and YouTube, I knew she’d be a photographer I’d look to for inspiration. Her honest and intimate approach to her craft is as admirable as the results she produces. She truly is a talented photographer.

I’ve never met this photographer person, but I hope to someday. If (when) the world has conquered Covid-19 and it’s safe to travel, I’d love to cross the border into Canada and go on a photowalk with her. I’m sure my photography would improve because of it.

The next photographer I want to introduce you to is Jess Hobbs.

Self-portrait:  Taken on a K1000 and the new Ektachrome, not sure what developer was used because it was done by the lab.

Self-portrait:  Taken on a K1000 and the new Ektachrome, not sure what developer was used because it was done by the lab.

Q: What is your name and where do you live?

A: Jess Hobbs. I live in Quebec, Canada, a.k.a. The Land of Maple Syrup and Poutine (just don’t mix the two together!).

Q: How can people contact you?

A: I’m on Instagram as @jesshobbsphoto. I can also be found on YouTube at youtube.com/jesshobbs.

Q: If we’ve met, how do we know each other?

A: We haven’t met in person, but anyone who builds a tent on the top of their Jeep is someone I want to know!

Q: What is your earliest memory of taking a photography?

A: My parents gave me my first camera for my 9th birthday (a little Vivitar point-and-shoot), and the very first picture I took on it was of “The Addams Family” playing on tv… not my best work, I must say!

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Ooof, this is a toughie. Probably my Mamiya RB67 (her name is Roberta), but I also love my Yashica-Mat 124g… and my Canon F-1… and my Olympus OM-1… oh, and I can’t forget my SX-70 Model 1! And my Olympus 35RC! See, this one’s too hard!

Mamiya RB67:  This is the only shot I have of my RB67, but it’s definitely my favourite camera, especially now that I have the Rezivot back for Polaroids!  I used it as a promotional shot for an Emulsive article, I hope it’s still okay for…

Mamiya RB67:  This is the only shot I have of my RB67, but it’s definitely my favourite camera, especially now that I have the Rezivot back for Polaroids!  I used it as a promotional shot for an Emulsive article, I hope it’s still okay for this interview!  Taken on a Sony a7iii.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: There are a few cameras that I would like to own, a Leica M3 double-stroke probably tops that list. A Rolleiflex 2.8C would be a wonderful addition as well, but I’d really like to get into large format, so I think my next purchase will most likely be an Intrepid 4x5.

Q: Is there a camera you no longer have that you miss?

A: No, but that’s because I keep every camera I buy.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I’m mostly a woodland/landscape/nature photographer, although I’ve recently discovered a love for rural and small-town scenes. I’m a big believer in trying to preserve what we have while we can for the future generations to enjoy, and to photograph the scenes I love before they are inevitably destroyed, as a record of what once was. And every now and then I can be found at festival or two!

Silos at sunset: Yashica-Mat 124g, Lomochrome Purple, lab developed.  These are the neighbor’s silos that I just can’t seem to get enough of!

Silos at sunset: Yashica-Mat 124g, Lomochrome Purple, lab developed.  These are the neighbor’s silos that I just can’t seem to get enough of!

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: Film all the way. Everything about it is so magical to me, from creating images, to developing the film, to watching prints come to life in the darkroom. I just don’t have that same connection with digital cameras. For me, shooting digital is strictly just to get in there and get the job done, whereas I feel more creative when I shoot film and the images are extensions of who I am.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: Lately, not as much as I would like to, although my motivation is starting to pick up again! When I’m not in a slump, I can easily run through a few rolls a week. I recently picked up a Rezivot conversion kit to shoot Polaroids on my RB67, and I am already blown away with the results I am getting, so I’ll be running through a bunch of boxes in the near future!

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: It really depends on my mood/project. Usually I’ll only shoot with one other person at a time (mostly with my awesome other half Jody!), but I have had projects in the past when I have preferred to shoot alone. I’m someone who is easily distracted, so sometimes it’s good to force myself to concentrate and work on my own.

Q: What is your favorite black and white film right now and why?

A: Ilford HP5+, it is such a beautiful and versatile film. But winter is coming up, so it’ll soon be a toss-up between Ilford Ortho Plus and Ferrania P30 (especially if the latter comes out in 120), both work exceptionally well in our snowy Canadian winters.

Foggy morning:  Yashica-Mat 124g, Ilford HP5+, dev’d in HC-110 Dil. H.  I’m rarely ready with film loaded when a thick fog rolls in, but that morning I was prepared.  I just love fog, and want to keep photographing it.

Foggy morning:  Yashica-Mat 124g, Ilford HP5+, dev’d in HC-110 Dil. H.  I’m rarely ready with film loaded when a thick fog rolls in, but that morning I was prepared.  I just love fog, and want to keep photographing it.

Q: What is your favorite color film right now and why?

A: Probably Kodak Ektar 100 in 120, the colours are pleasantly punchy and it has such low grain. My absolute favourite was Agfa Vista 400, until it was discontinued, I could do just about anything with that film!

Three maples: Yashica-Mat 124g, Kodak Ektar 100, lab developed. I just love photographing trees!

Three maples: Yashica-Mat 124g, Kodak Ektar 100, lab developed. I just love photographing trees!

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: I feel connected to the world around me in a way that I don’t when I’m not holding a camera, and I love being able to share the way I see the world with others. I’ve never felt such a strong sense of community as I do with the worldwide film community, photography has really given me the opportunity to come out of my shell and meet people to share my work with in ways that wouldn’t be available to me without it.

Q: Best experience while taking photographs?

A: Not directly related to taking photos, but being interviewed three times in one year on our local news stations was really fun!  I was working on a year-long project where I photographed at as many festivals as I could in the city of Montreal (grand total = 225!), and my story got picked up by the networks.  One of those times I was actually at an indie music festival, so there I was with flowers in my hair on the news… I was so nervous, but it was a great experience, and I think it’s part of what led me to start up my YouTube channel!

Q: Most emotional experience while taking photographs?

A: One night I was shooting at an underground outdoor punk festival, and there was literally one lonely tungsten light bulb at the edge of the stage to light up the whole place, it was so dark except right by the stage. I grabbed the best spot and decided to photograph the people in the pit. One guy saw me and he got right into position, holding a wine bottle in his left hand and he gave such an expression of raw emotion that it ended up being the best shot of the night. Right after, he gave me a huge smile and a thumbs up, which I reciprocated. I was pretty pumped after that!

Fattal Fest:  Canon F-1, Agfa Vista 400 pushed to 1600, again lab developed.  I chose this one because it’s the shot that I described as my most emotional moment.

Fattal Fest:  Canon F-1, Agfa Vista 400 pushed to 1600, again lab developed.  I chose this one because it’s the shot that I described as my most emotional moment.

Q: Worst experience while taking photographs.

A: Getting yelled at by a stranger in the streets was a tough one to shake off. To this day, I’m still not completely comfortable shooting in the streets. Interestingly, both my worst and most emotional moments happened on the same day, literally just hours from each other.

Q: Tell me about something related to photography you want to learn.

A: I really want to learn how to properly light a scene.  I don’t do any studio work, but I’d like to be able to if I ever need/want to.  And I would like to learn how to do wet plate collodion and cyanotype prints.  Oh, and emulsion lifts from Polaroids!

Q: Tell me about something NOT related to photography you want to learn.

A: I’m a very curious person, and my interests tend to jump around a lot.  At the moment, I’d like to learn how to cross-stitch and play ukulele, but I also love collecting rocks, so I’d like to learn more about geology.  And I love to cook, so I’d like to start tackling more complicated recipes.

Q: What does your family/loved ones think/feel about your photography?

A: My family are very supportive of me, even if they don’t always understand what makes me tick. Jody is both my biggest fan and my biggest critic, which is great because not only does he enable me to run amok, but he also helps bring me down to earth every once in a while! Honestly, I owe a lot of my work to Jody being there for me, even if he won’t give himself the credit, because I don’t know if I would be brave enough to put myself out there without his encouragement… it’s a very scary world out there, especially reading through Reddit comment sections!

Pinhole Self-portrait: Unnamed pinhole made out of walnut by some guy in London, Ontario (!), Ilford HP5+, dev’d in HC-110 Dil. H.  This was one of my favourite shots from my very first ever pinhole roll.

Pinhole Self-portrait: Unnamed pinhole made out of walnut by some guy in London, Ontario (!), Ilford HP5+, dev’d in HC-110 Dil. H.  This was one of my favourite shots from my very first ever pinhole roll.

Q: What is the last photography related book you’ve acquired?

A: I just found a copy of Ansel Adams’ “Examples – 40 Photographs” at a thrift shop, so I was pretty thrilled about that!

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: I find so much of my inspiration on Instagram, there is some really fantastic photography out there! It’s really hard for me to pick only one favourite, but I love Roxanna Angles’ page @roxannalog. Her Lomochrome Purple and Polaroid work is just wonderful, I could get lost in those dreamy California landscapes all day!

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have sold some photographs, mostly for album covers… there’s something so special about seeing your work on the cover of a record or cd! My only successful print sale was a fundraiser I did to help Timothy Ditzler (from the Analog Talk podcast) pay for unexpected medical expenses, and I am so grateful to everyone who purchased a print for a worthy cause. I would definitely sell my work again, but it’s something that takes patience and perseverance. It’s very scary to put yourself out there, especially at the beginning, and if your first sale isn’t a complete success, don’t give up on yourself! Do take the time to shoot with purpose, to create work that means something to you. Don’t get caught up in what’s trending, what gets more likes and thumbs-ups, those things fade with time. But if you put your heart 100% into your work, people will connect with that, and then you never know what will happen in the future!

Silo #5 - Old Port, Montreal:  Canon F-1, Ferrania P30 Alpha, dev’d in X-Tol 1+1 dilution.  This is a historic site in the Old Port, and one that might not last… there are developers interested in turning this into condos and a shopping ce…

Silo #5 - Old Port, Montreal:  Canon F-1, Ferrania P30 Alpha, dev’d in X-Tol 1+1 dilution.  This is a historic site in the Old Port, and one that might not last… there are developers interested in turning this into condos and a shopping centre.  This is my favourite place to shoot in Montreal.

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: I’m not working on anything specific at the moment, except for filming videos for my YouTube channel, but I am hoping to pull together a zine over the winter. I also have an embarrassing amount of backlog to deal with, so soon I’ll be busy with developing, scanning, and organizing negatives!

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: At the moment I’m still rushing to get the last of our harvests in on the farm before winter sets in, so that’s pretty much taking up whatever time I’m not spending filming.  Jody and I always have new ideas and projects going on related to the farm, but that’s technically considered our “9-5” so I’m not sure that counts.  Let’s just say I’m really looking forward to seeing snow falling so that I can concentrate on other things!

Q: Where is your favorite location to shoot (specific place or type of place)?

A: On our farm of 200 acres, about 150 acres is forest, and that is my favourite place to shoot.  I do love to travel around, but whenever I’m sad, or have something to work out in my head, or I’m just craving a walk in the woods, that’s where I go, regardless of the season.

Old sugar maple: Mamiya RB67, Ilford Delta 100, dev’d in HC-110 Dil. B.  This is one of my favourite trees on the farm, I always seek it out every time I walk in the woods.

Old sugar maple: Mamiya RB67, Ilford Delta 100, dev’d in HC-110 Dil. B.  This is one of my favourite trees on the farm, I always seek it out every time I walk in the woods.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Trees. I have a few favourites scattered around the farm, so I visit them often. I’m also obsessed with our neighbour’s silos, especially at sunset. I’m a big fan of returning to my scenes, I like to keep working them until I’m completely satisfied.

Q: Favorite thing about the photographic community?

A: I love how encouraging and inclusive it can be, especially through some of the awesome Facebook groups. Anytime I have had a question, or even just wanted to share some work, I’ve gotten lots of great feedback and support.

Q: What do you think the photographic community is missing?

A: From a local perspective, I sometimes find the community isn’t always cohesive… depending on where you live, it can sometimes feel very clique-y, like you need to know the right people to fit in. I’ve found the online community is much more open-minded and inclusive, even if I run in to a few “armchair experts” every now and then!

Star trails: Mamiya RB67 with Rezivot back, Polaroid Color 600.  This shot was a bit of a big deal for me, I am still amazed that I can now shoot star trails on Polaroid film!

Star trails: Mamiya RB67 with Rezivot back, Polaroid Color 600.  This shot was a bit of a big deal for me, I am still amazed that I can now shoot star trails on Polaroid film!

Q: Biggest photography related pet peeve?

A: Honestly, my biggest pet peeve is the constant running debate between film and digital photography. I mean, it’s 2020, are we really not past this yet?! To me, a great photograph is a great photograph regardless of what camera it was taken on, or what process was used. Of course I’m a huge advocate of film photography, I will continue to shoot film until I can’t anymore, but I’m not going to crap on someone else’s work just because they used a digital camera (or even their phone).

Q: What do you hope your photographic legacy will be?

A: This question really has me stumped; I’ve never put much thought into the concept.  I always strive to create images that bring me joy, that bring me back to that moment every time I look at them, and I try to inject as much enthusiasm as I can into my work. I do my best to answer anyone’s questions, especially if they’re a newbie, even if the question has already been asked ten times.  I hope that I inspire people to get out there and do what they love, but I think that overall I would love to be remembered as a caring, empathetic, and friendly soul more than to be remembered for my photographs.  I really do try to embody the hashtag “shoot film be nice” because it is so much more fun to be nice than it is to be an asshole!

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: I don’t really shoot portraits, I don’t have a knack for making people feel comfortable in front of a lens, but I have been trying to make more of an effort to photograph my family and friends. If I could though, I would absolutely love to have an afternoon with either Ansel Adams or Mary Ellen Mark… it would be fantastic to just sit and chat and pick at their brains for a day, maybe even get a few tips on how to take portraits of people!

Hunter’s cabin:  Mamiya RB67, Ilford Ortho Plus, dev’d in X-Tol 1+1 dilution.  This little shack is just down the road from my farm, and I’ve always loved that it has a big beautiful tree right beside it, such a picturesque country scene.

Hunter’s cabin:  Mamiya RB67, Ilford Ortho Plus, dev’d in X-Tol 1+1 dilution.  This little shack is just down the road from my farm, and I’ve always loved that it has a big beautiful tree right beside it, such a picturesque country scene.

As you can see from the photos Jess has shared, she’s a very talented photographer. I’m very excited to see the photos and videos Jess shares in the future.

If you weren’t familiar with Jess’s work before reading this blog post, I hope you’ll visit her on Instagram and YouTube to see her other works. You can see her work at on Instagram at @jesshobbsphoto or on her YouTube channel at https://www.youtube.com/jesshobbs.

30 Questions With Photographer Vania Francesca Zask

It’s early November 2020. That seems crazy to me. It also seems crazy to me that it’s been over 6 months since I’ve shared an interview with my favorite photographers. So you know what that means! That means it’s time for another “30 Questions With Photographer…” blog post!

If you remember, for this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about. The next installment of my “30 Questions With Photographer…” project is one you’re sure to enjoy.

I was first introduced to this photographer through the world of podcasting; not because she was featured on the podcast, but because she’s a cohost of the podcast. After (actually, WHILE) listening to the first podcast, I went to her Instagram page to view her work. Wow! I was completely blown away! And by the end of the interview, I’m sure you will be too.

I’ve never met this photographer person, but I hope to someday. She’s as crazy about old cameras as I am. In fact, I can honestly say she’s responsible for inspiring me to make some of the camera purchases I’ve made. Talking gear is dangerous, let me tell you!

The next photographer I want to introduce you to is Vania Francesca Zask.

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Q: What is your name and where do you live?

A: My name is Vania Francesca Zask and I live in the south bay of Los Angeles.

Q: How can people contact you?

A: People can contact me or see my work on Flickr (https://www.flickr.com/photos/vaniafrancesca/) or on Instagram at @surfmartian or @allthroughalens.podcast.

Q: If we’ve met, how do we know each other?

A: We have interacted on Instagram.

Q: What is your earliest memory of taking a photography?

A: A disposable camera when I was maybe 9 or 10. I remember savoring each shot.

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: This changes all the time. I think my favorite is what I am shooting at the moment. If it's new to me, figuring out the functions and seeing the results is really satisfying. Right now It's a Graflex Series B 2x3. The glass is bonkers! So crisp! The mechanisms to the camera seem overly complicated but are very simple to sue. I like the chart and the way you adjust the shutter speed with tension to the curtain.

Cinestill 800T, Mamiya RB67, C-41

Cinestill 800T, Mamiya RB67, C-41

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: Not a camera but a water housing for any medium format camera. I enjoy shooting film in the ocean. That's kind of my favorite subject, so being able to bring a larger format in the water would be a dream.

Q: Is there a camera you no longer have that you miss?

A: I have not. I think at some point I will probably sell or trade some if I don't use them. I have a small hope my daughter will want to use them at some point.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I prefer the water landscapes of fast moving waves that resemble canyons and mountain peaks. You have to be quick about it because things are constantly changing. It keeps me thinking, inspires me, and feels different on any given day. The interesting thing about now shooting more landscapes on land is that I have incorporated things I do in the water, such as shooting really low. When you are swimming your head is the only thing above water so your perspective is low, and you get a really nice foreground. I didn't even realize I was doing this; it just felt natural to shoot landscapes like this too.

Kodak Ektachrome 2253, Cross Processed C-41

Kodak Ektachrome 2253, Cross Processed C-41

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: Film always. I need a number to fall back on… 26, 12, 36 exposures, it keeps me mindful and careful with each image I take.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: I shoot a few times a week; almost every day.

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I don't mind shooting with other people. It's neat to see how other people approach photography. I do prefer alone. It takes a long time when I'm on land to take a photo and now that I have been shooting 4x5 it's much longer.

Ilford HP5+, Graflex Pacemaker Crown Graphic, Rodinal 1+25

Ilford HP5+, Graflex Pacemaker Crown Graphic, Rodinal 1+25

Q: What is your favorite black and white film right now and why?

A: Ultrafine Xtreme 400. It’s fine grain, has great tones, range, it looks good pushed and it's affordable.

Q: What is your favorite color film right now and why?

A: Cross-processed Kodak Ektachrome 100.

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: Every moment in our lives is distinctive. We have this moment to be alive and I want to see and experience it all.

Kodak Ektar 100, Voigtlander, C-41

Kodak Ektar 100, Voigtlander, C-41

Q: Best experience while taking photographs?

A: Probably seeing a friend get a good wave or get totally pitted.

Q: Most emotional experience while taking photographs?

A: I took a photo of a 6 year old girl with her moms permission she was holding up a sign that she made. It said “Don't let guns shoot kibs [sic]”. I cried when I scanned it.

Kodak Tri-X 400, Mamiya RB67

Kodak Tri-X 400, Mamiya RB67

Q: Worst experience while taking photographs.

A: Maybe just losing a roll from bad chemicals. I try to be safe and smart when I'm out. If I feel uncomfortable, I leave.

Q: Tell me about something related to photography you want to learn.

A: Tintypes!

Q: Tell me about something NOT related to photography you want to learn.

A: Carpentry.

Q: What does your family/loved ones think/feel about your photography?

A: Supportive and I feel very thankful for that.

Nikonos V, Kodak Ektar 100, Cross Processed C-41

Nikonos V, Kodak Ektar 100, Cross Processed C-41

Q: What is the last photography related book you’ve acquired?

A: Sergio Larrain, Valparaiso. My mother grew up down the road in Algarrobo, Chile. I was lucky enough to visit the family home before they sold it a few years back. My favorite day  trip was Valparaiso. Larrain captures this artistic city in such a unique way. His perspective is incredible. He was shooting from the hip a lot and created layers in his images that are just timeless.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: @conspiracy.of.cartographers of course. Eric is so thoughtful and detailed. I feel lucky to do the All Through a Lens podcast with him. He is fun to collaborate with.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have done a few art shows with little luck on selling, but the experience was great. I think my favorite way to share art is through zines. It's a great way to share your work with others without the high price tag, which helps ease the anxiety of putting yourself out there. I think if you take pictures, whether it's film or digital, printing your work and making it a tangible piece of art makes it real. All those rolls of film are compiled into a body of work. I highly recommend everyone to make a zine.

Rollei Retro 400S, Mamiya RB67, Yellow Filter, X-Tol

Rollei Retro 400S, Mamiya RB67, Yellow Filter, X-Tol

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: 6x7 zine with @conspiracy.of.cartographers is almost done. It's all photos we have taken with our Mamiya RB67s. I am also converting a very interesting space into a darkroom. And I do a weekly podcast about film photography called All Through a Lens (https://podcasts.apple.com/us/podcast/all-through-a-lens-a-podcast-about-film-photography/id1479924013).

(*Note from Sam: I own this zine and it’s incredible!!)

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Raising my daughter Marley. She is the light of my life.

Q: Where is your favorite location to shoot (specific place or type of place)?

A: The Pacific Ocean or near it.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Surfers.

Nikonos V, Kodak Gold, C-41

Nikonos V, Kodak Gold, C-41

Q: Favorite thing about the photographic community?

A: It’s helpful and supportive. Everyone has been so kind. I have met some great people. It's great to feel like I am a part of it.

Q: What do you think the photographic community is missing?

A: Maybe a better platform to share. Instagram is great but I know that seeing photos in this format doesn't compare to the original negatives.

Q: Biggest photography related pet peeve?

A: The “well, actually”s.

Q: What do you hope your photographic legacy will be?

A: I guess it would be neat to make a book.

Fuji 800 Disposable Water Camera

Fuji 800 Disposable Water Camera

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: My Nona Maria was this tiny little Italian lady. I spent a long summer with her in La Spezia as a kid. She spoke only Italian and Spanish, so I had to really figure it out. I have this vivid memory of her. She asked me what I wanted to eat, and I said lasagna, so she spent all day making it for me: laying out the noodles on a small dining table with the sun beaming on them from a window while classical music echoed into the room from a nearby apartment.

 The moment and detail was incredible. I wish I could have pictures from that day. She was always smiling, even with a life of loss of her youngest son and her husband. She was the epitome of love and kindness and I am forever grateful to everything she had done for me.

Nikonos III, Tasma Mikrat 300, HC-110

Nikonos III, Tasma Mikrat 300, HC-110

As you can see from the photos Vania has shared, she’s a very talented photographer. I’m very excited to see the photos Vania shares in the future.

If you’ve never viewed Vania’s other works, you really owe it to yourself to give it a look. You can see her work at on Instagram at @surfmartian. And I encourage you to check out the All Through a Lens podcast. It’s one of the most enjoyable, informative, and entertaining photography podcasts out there. It definitely won’t be time wasted.

30 Questions With Photographer Adrian Vila

Hi everyone! Thanks for stopping by! It’s time for another “30 Questions With Photographer…” blog post. If you remember, for this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about. The next installment of my “30 Questions With Photographer…” project is a very special one, as he’s one of my all time favorite photographers.

I came across this next photographer on Instagram a few years ago when I decided I wanted to devote some serious time to photography and was looking for inspiration. The photo he had recently posted stopped my scroll in its tracks. I immediately went to his page. I had to see more. I was really hoping his Instagram feed was filled with more quality photos. I would not be disappointed. Photo after photo was exactly the type of work I hoped to produce. All of the photos were black and white, beautifully composed, and full of feeling and emotion.

I’ve never met this photographer person, but I hope to someday. I’ve reached out to him on multiple occasions via Instagram and email for advice on how to get a certain shot, or for some information on how he gets the fantastic shots he gets. He’s always been extremely eager to answer any of my questions and has been ever so humble and kind; just a great human being, and the kind of photographer the photo community needs more of.

The next photographer I want to introduce you to is Adrian Vila.

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Q: What is your name and where do you live?

A: My name is Adrian. A third of the year in Galicia, in NW Spain; another third in Northern Indiana, USA; traveling the rest of the time.

Q: How can people contact you?

A: https://aows.co. My YouTube channel: https://www.youtube.com/aowsphotos.

Q: If we’ve met, how do we know each other?

A: We haven’t.

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Q: What is your earliest memory of taking a photography?

A: Even though I’m sure my dad let me use his Konica at some point when I was a little kid, my earliest memory is from when I was 18. One of the first things I did when I moved out of my parents’ house and went to college was to buy a 2-megapixel HP camera. I do remember that first day trying it out.

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Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Without a doubt, my Bronica SQ-Ai. I really enjoy shooting with that camera, and it’d be my only one if it weren’t for the size and the cost. I also like my little Sony RX100s because I can bring them with me anywhere.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: I always wanted a Hasselblad, but not anymore. The Bronica has filled that void.

Q: Is there a camera you no longer have that you miss?

A: No.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I can get joy from photographing almost anything. But when I enjoy photography the most is when I put myself in situations and places that push me beyond my comfort zone: ideally a remote spot in nature with a bit of bad weather, away from everyone else.

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Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: It depends on where I am. If I’m photographing the night sky from my backyard, the big, heavy Bronica will be my choice. If I’m hiking in the mountains, a digital compact camera. Whatever camera lets you create what you want without getting in the way.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: I take photos every day. When I was shooting medium format film exclusively, that amounted to some 250 rolls a year. Now, I shoot hundreds of pictures a week (I delete most of them).

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: Alone. I need to fully experience the place and the moment to capture it. I can take a few photos here and there if I’m in a group, but I rarely press the shutter if I’m engaged in a conversation, even while hiking.

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Q: What is your favorite black and white film right now and why?

A: I got started in film photography with HP5+ because it was supposed to be more “forgiving”, better suited to a beginner. Even though I’ve tried many others, I always come back to Ilford’s. I’m comfortable with it, I know what to expect, and I also like the look when I push it (I always push it 1-3 stops).

Q: What is your favorite color film right now and why?

A: Color? What’s that?

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Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: …because photography makes me feel alive.

Q: Best experience while taking photographs?

A: So many! Most of them in the wilderness: a sunrise in the Alabama Hills, from the top of a volcano in Oregon, a blizzard in South Dakota, a frozen beach at Lake Michigan, waking up at 8,000 feet elevation in the Picos de Europa in Spain… Not all of them resulted in great photographs, but those are experiences I get to keep forever.

Q: Most emotional experience while taking photographs?

A: Hard to choose just one, but I’d say doing the Camino last December. For me, it was a photography pilgrimage, as I wanted to document a part of my homeland I hadn’t experienced before. The images weren’t good, but walking 130 miles in 6 days, fighting snowstorms, strongs winds and tons of rain, all of this while carrying 25 pounds of gear and clothes... definitely made the experience something unforgettable.

Q: Worst experience while taking photographs.

A: The times I got yelled at while doing some street photography. The funny thing is, I wasn’t even photographing those people, but something else. This is probably why I love photographing trees and mountains, I can stare at them for as long as I want and they don’t mind.

Q: Tell me about something related to photography you want to learn.

A: Digital negatives. I’ve played a bit with them but I still have a lot to learn. I feel like it’s a great way to create unique prints from digital photos.

Q: Tell me about something NOT related to photography you want to learn.

A: A new language. Not sure which one, though.

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Q: What does your family/loved ones think/feel about your photography?

A: My wife has been my biggest fan and supporter. I wouldn’t be here calling myself a photographer if it wasn’t for her. My family and friends were (some still are) more skeptical.

Q: What is the last photography related book you’ve acquired?

A: Genesis, by Sebastião Salgado. Loved it.

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Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: I don’t use Instagram as much these days. I schedule my posts, and only open the app to reply to messages. Back in the day, I loved the work of many photographers, there’s so much talent out there. But if I had to choose one, and just one, I think it’d be @itsreuben (Reuben Wu). His work is so unique and beautiful that I’m always in awe.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I do sell some prints on my website. For those who want to do the same, my advice is simple: don’t expect anything, and just do it.

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Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: Photography books. I just finished one (called “Becoming an American”), and I’m working on another one to be released soon (not sure about the title yet). I had been putting them off for too long.

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Myself. I’ve been reading a lot to educate myself in a wide variety of topics, and I’ve been working out and eating better to be a healthier and more active person.

Q: Where is your favorite location to shoot (specific place or type of place)?

A: Anywhere on a foggy day.

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Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Mountains. I lose track of time when I photograph mountains, they make me love this world.

Q: Favorite thing about the photographic community?

A: The work. There are so many amazing photographers out there, it’s hard not to get inspired by them.

Q: What do you think the photographic community is missing?

A: Probably a better platform than Instagram to share work, ideas and whatnot

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Q: Biggest photography related pet peeve?

A: I talk about 10 of them in my latest ebook, but if I had to choose just one, it’d be “it’s already been done by X photographer”. Nonsense.

Q: What do you hope your photographic legacy will be?

A: A few prints and books here and there, but above all, a message of encouragement for anyone to pick up a camera, get out and create something amazing.

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: Not a person, but a place. I’d love to photograph Mars: a desolate, incredibly beautiful, alien but also familiar, extremely remote landscape, all for myself.

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As you can see from the photos Adrian has shared, he’s a very talented photographer. I’m very excited to see the photos Adrian shares in the future.

If you’ve never viewed Adrian’s other works, you really owe it to yourself to give it a look. I definitely won’t be time wasted. You can see his work at on Instagram at @AOWS, on his website at https://aows.co/, or on his YouTube channel at https://www.youtube.com/aowsphotos. I’ve inserted a link to one of my favorite videos below.

30 Questions With Photographer Dustin Cogsdell

It’s time for another installment of my project where I ask photographers to answer 30 questions about themselves and their photography, and to share some of their work. My next guest is a very active member of the Negative Positives Photography Podcast Facebook group and of the film photography community. He’s been a guest on the Negative Positives Film Photography podcast, and has even made a few appearances as a “Cocoa Captain” (that’s an inside joke you won’t get if you don’t listen to the podcast). In addition to that, he and a couple of this friends have their own film photography podcast: The Grainy Dayz Podcast (with a “Z”).

Folks, it’s my pleasure to introduce you to Dustin Cogsdell.

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I’ve never met Dustin in person, but I’ve been lucky enough to work with him on the Frugal Film Project in 2019. This project is a group of international photographers who use cameras costing less than $50 to prove that great film photography can be had on a budget.

Pull up a chair and get to know Dustin.

Q: What is your name and where do you live?

A: I’m Dustin Cogsdell and I live in Villa Rica, Georgia, U.S.A.

Q: How can people contact you?

A: I’m on Instagram as @fortheloveofgrain and I can also be reached at www.grainydayzpodcast.com.

Q: If we’ve met, how do we know each other?

A: We met through the Frugal Film Project!

Q: What is your earliest memory of taking a photography?

A: I remember shooting a 110 camera as a child. I don't remember exactly what I was shooting though. Aside from that, shooting my friends skateboarding as an early teen.

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: This is the dreaded question for a film photographer, right? it's tough for me because there are two that I gravitate towards, both Square format. Between the Hasselblad 500 c/m and the Yashicamat 124g, I would have to say the Yashicamat124g. I know the story of it and where it came from and I seem to get more keepers per roll from that camera than any other.

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Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: I had to really think about this question, but when I realized which one it was, it was a duh moment for me… The Hasselblad Xpan. I am a huge fan of panorama cameras and the Xpan is unlike any other panorama camera, it has a more cinematic look.

Q: Is there a camera you no longer have that you miss?

A: At times I miss my Mamiya RB67. I struggled with using the camera. It was bulky and fiddly, but I was always blown away by my negatives.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I could answer this, but I would have a different answer by the time we finish the interview. It really depends on my mood, and what I’m out to accomplish.

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Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: Cameras are tools. That's like asking someone who sketches if they prefer paper or their iPads, right? It really depends on what I’m wanting to accomplish. Lately, I have moved from shooting film for everything, I prefer the digital cameras when hanging out with friends or going to the bar. Film has become my “serious work” platform for the most part.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: In 2019, I think it was 68 rolls shot. Of those, 12 rolls were for the frugal film project, so that averages out to about a roll a week. So far this year, I have been shooting more large format 4x5, so it’s a lot less frames shot.

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Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I like them both. They both have their merits.  It’s fun to have the camaraderie of shooting with friends. You get to hang out, talk, and cut up. I tend to only do “work” when I'm alone though. I like to put in my earbuds, zone out to the music, and focus on what I’m shooting.

Q: What is your favorite black and white film right now and why?

A: Ilford Hp5+. It’s my favorite right now because its available in all of the formats I shoot, and I want to try to have consistency in my black and white shooting.

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Q: What is your favorite color film right now and why?

A: Kodak Pro Image 100! It’s cheap and it kind of reminds me of a cross between Ektar and Portra 160.

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: …it lets me express myself through a creative medium. Photography can be very personal, and also very much not. When you share your work, whether it be a snapshot or something that you have spent years working on, as soon as you release it to the public, it's not yours anymore.

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Q: Best experience while taking photographs?

A: I tend to be a bit introverted with strangers, so i'm not always looking to talk to people when I’m out shooting, but EVERY TIME i got out with my TLR, people want to chat and I think it has really opened me up a bit to talk with more people. All that said, I met an older lady once who was so nice. She started talking to me about using a TLR when she was in her yearbook club as a teen and I sat and talked with her for close to an hour. It was great.

Q: Most emotional experience while taking photographs?

A: Same answer as above.

Q: Worst experience while taking photographs.

A: I have been pretty lucky. I have never really had a bad experience. If I had to choose, I would say dropping a lens while shooting. That was a bummer.

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Q: Tell me about something related to photography you want to learn.

A: WET PLATE PHOTOGRAPHY!!!! It’s something I am actively working towards learning in 2020.

Q: Tell me about something NOT related to photography you want to learn.

A: Leather working. I love leather goods and I think it's so cool what people can do with it.

Q: What does your family/loved ones think/feel about your photography?

A: They are supportive. My wife says my main hobby is a collector of hobbies, but somehow photography has stuck around while others have fallen away.

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Q: What is the last photography related book you’ve acquired?

A: Early Color by Saul Leiter. it's a fantastic book of his early works in color.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: I'm going to cheat and name two. My favorite photographer is Justin Rosenberg. He is so creative and his photos are distinctly his. I say I’m going to cheat and name two because he has two accounts, his first is @jsrphotos, which is his work with models and portraiture. His second account is more landscape work and a lot of awesome work with fog. That account is @not_currently.

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Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have never sold my work!

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: The Grainy Dayz Podcast! It’s an ongoing project for me. Weekly, I meet up with a couple friends and sometimes a guest and chat about photography.

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Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: I don't really have any non photographic projects going on at the moment.

Q: Where is your favorite location to shoot (specific place or type of place)?

A: Waffle House! I have been taking a lot of photos of and at Waffle House lately.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: My Dog Ansel. He is a white German Shepherd and he is my number one model. I love dogs, and there is usually at least one frame of him on every roll of film.

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Q: Favorite thing about the photographic community?

A: The people are so willing to share their knowledge! if you don't know how to do something, just ask and someone will step up to help you!

Q: What do you think the photographic community is missing?

A: The open mindedness to the ever changing state of manufacturers. it seems like every announcement is apocalyptic or the second coming.

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Q: Biggest photography related pet peeve?

A: This could be said about most any hobby, but Gatekeepers. There are still people out there who believe that if you don't do it a certain way then you shouldn't bother.

Q: What do you hope your photographic legacy will be?

A: I don't even know how to begin to answer this. Mostly just a nice guy who was willing to chat with and help others, and share my knowledge as much as possible.

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: My Grandmother. She passed away last year and was sick for many years before. I would like to go back and do a portrait session with her before she got sick.

Dustin is an extremely talented photographer and is a blast to chat with. He’s well known throughout the the film photography community, especially in the film photography podcast circles.

Head on over @fortheloveofgrain on Instagram and show Dustin some love.

30 Questions With Photographer Sherry Christensen

I’m excited to continue with the project where I ask photographers to answer 30 questions about themselves and their photography, and to share some of their work. My next guest is a very active member of the Negative Positives Photography Podcast Facebook group and of the film photography community. Not only has she been a guest on the Negative Positives Film Photography podcasts, but she has her own film photography podcast: Embrace The Grain. She is also the organizer and mastermind behind the 2019 and 2020 Frugal Film Project. Seriously, where does she find the time??

Ladies and gentlemen, it’s my pleasure to introduce you to Sherry Christensen.

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I’ve never met Sherry in person, but I’ve been lucky enough to work with her on the Frugal Film Project in 2019 and am again working with her on the 2020 edition of the Frugal Film Project. As the leader of the project, Sherry organized a group of international photographers who used cameras costing less than $50 to prove that great film photography can be had on a budget. I hope you enjoy her interview as much as I did.

Q: What is your name and where do you live?

A: Sherry Christensen. Alberta, Canada.

Q: How can people contact you?

A: https://rr1photography.com, ruralrouteonefilm and embrace_the_grain.

Q: If we’ve met, how do we know each other?

A: Sam & I met on the Negative Positves Facebook group when I started putting to together the Frugal Film Project. Sam was one of the last people to join the project and it has been a real pleasure getting to know him! Pretty sure after the project ends, we still remain good photography friends... even if only online.

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Q: What is your earliest memory of taking a photography?

A: I can remember my Grandma bought me a Kodak Tele-Instamatic 608 for Christmas, it was around 1978, you know the ones with a flip flash bar? I was super excited that Christmas Eve... and we arrived home Mom showed me how to load it. The next morning we got up to exchange gifts and Mom picked up my camera and took the very first frame... of me, then handed it over. I wasn’t sure if I wanted to take photos or open gifts... tough choice for an 11 year old, can’t exactly remember my choice these days... but I do have the photos and the camera!

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Sam! How can I truthfully answer this? I do know I prefer 35mm SLR over medium format. Why? Convience. Easier to load on the go. Fits my small hands better. But I have been pushing myself to use more medium format. For 35mm... I am not brand loyal, I love the one in my hand with film in it. I have a slight “collection” and tend to load 3 of 4 camera bodies, throw them on the seat of the pickup truck seat and go. As for a favorite... I love them all.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: There were two... let’s just say I no longer have G.A.S. To be honest here... I lusted after a Nikon F6 for years... until the right deal came along.

Q: Is there a camera you no longer have that you miss?

A: No. Before you think I am hoarding them; I have sold some cameras and I have donated a few to educational programs... but some will never be sold. Like my Nikon FE the first film SLR I ever bought.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I am a landscape junkie... there is nothing better than getting in the truck with Snoopy (my big white dog) and just going for a drive on an old dirt road. Sometimes I don’t have to go far to find a place to photograph! I also love to document our family life... random snapshots can be priceless treasures.

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Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: It depends on what I am shooting and what is the best tool for the job. I do prefer film, but sometimes digital is the better choice. The way I see it... why be a snob... it is all photography. A good photographer can make a great image on ANY camera, even an iPhone.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: It varies... sometimes on where and what I am doing. But if I try and average it out, probably two rolls per week, 90% of which is c-41

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: While I do enjoy shooting with others, I tend to shoot alone. It is the time I do something for myself to relax and forget the stress of daily life.

Q: What is your favorite black and white film right now and why?

A: I have to say this is a tough question... I am still exploring the monochrome world. I have had really good results with Ilford HP5 and I am a total rookie when it comes to processing black and white film. Black and white is more difficult for me to shoot... because I really struggle to “see” the photo in monochrome, but I have been working on shooting more of it. How else can I improve and grow as a photographer if I don’t challenge myself?

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Q: What is your favorite color film right now and why?

A: Right now, I can honestly say my favorite is Kodak Gold 200! After using it for the Frugal Film Project I have been exploring just how versatile it really is, not to mention readily available and affordable.

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Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: I am a photographer because I can’t draw! Seriously... I always wanted to create images, could see what I wanted to capture and could not put that down on paper. The camera in my hand allows me to do so.

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Q: Best experience while taking photographs?

A: I can say the absolute best experience from photography is probably going to sound very mundane... documenting my Grandson’s childhood! I have photos from infant right up until now and since he is used to a camera around he doesn’t mind being photographed!

Q: Most emotional experience while taking photographs?

A: “Grandma, can I take your picture?” those words melted my heart last summer...

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Q: Worst experience while taking photographs.

A: Card failure at a wedding! Fortunately I was prepared... hiring a second shooter and swapping out cards frequently. But I still lost 60% the wedding ceremony photos I had shot that day. The bride never noticed in the end, but I had a major panic attack. I don’t enjoy wedding photography to begin with, but to have all of that work go “poof” for no reason was a horrible feeling!

Q: Tell me about something related to photography you want to learn.

A: I would like to learn traditional darkroom printing in the future. I’m not sure I would do much of it, but would still like to learn the techniques.

Q: Tell me about something NOT related to photography you want to learn.

A: I am currently re-learning the acoustic guitar... it sounds really bad!

Q: What does your family/loved ones think/feel about your photography?

A: They are used to the insanity...

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Q: What is the last photography related book you’ve acquired?

A: This may sound funny... but I normally check them out of the library via inter-library loans. If it is a book I know I will refer back to, then I buy it. The last purchase was Vivian Maier Color

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: I really don’t have an actual favorite... I’m a scroller. But the images that do capture my eye are always given a like or comment. There is no cohesive thing drawing me to the image, either I like it or don’t.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: Yes, I have sold prints, have a “zine” and I have also been published in print magazines. Would I do it again? Yes... but not to be “rich and famous” because in reality I just want enough to fund my photography. My advice is you are thinking of selling your work, sit down and think over the reason you really want to do it, then do a little research of what is involved and ask a lot of questions. There is no such thing as a stupid question.

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Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: The Frugal Film Project is one I am currently working on. It involves a small global group who shoot one roll of film per month. But wait... there’s more! They must use a camera that costs less than $50 and they must shoot the cheapest locally sourced film they can find for one year! We will be wrapping up the project in January 2020.

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Not really, work, family life and photography pretty much keep me busy.

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Q: Where is your favorite location to shoot (specific place or type of place)?

A: Basically, I really enjoy shooting locally. There is a lot that can be photographed in nature, plants, old buildings, animals... and wide open big blue skies!

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: I’m drawn to old farm sites and buildings, like barns for example! Or old homesteads. Sadly, most are being torn down because they are falling down. Something about capturing what time and the elements have done to these once busy farms speaks to me.

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Q: Favorite thing about the photographic community?

A: The pictures! Always and forever it will be the photos.

Q: What do you think the photographic community is missing?

A: The photographic community is pretty diverse, there are the serious folks, the hobbyists, the traditionalist and the lomographers. I’ve probably missed a whole bunch of other types and communities... but what I think is missing is the way to find where YOUR community is. Since I live in a very rural area, the local photographers are mainly digital... I don’t really fit in. So I had to look for others like myself and turned to online communities, by doing so I was able to grow, learn, share and find my tribe.

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Q: Biggest photography related pet peeve?

A: The old “mine’s better than yours” attitude. Nikon is better than Canon. Digital is better than film. This just frosts my cookies... no one system or format is better than the other, embrace them all, open your mind to allow growth and become a better photographer.

Q: What do you hope your photographic legacy will be?

A: The photo albums left behind full of family snapshots. Maybe a few prints hanging on a few walls too.

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: Honestly I am not a people photographer... but there is one person I would love to have in front of my lens. Sadly he is no longer with us... but his passing is what spurred me to photograph my family more. It would be my Brother in Law... he passed of cancer five years ago and we have less than ten photos of him. Makes you think doesn’t it?

Sherry is an extremely talented photographer who is loved and respected by the film photography community.

Head on over @embracethegrain on Instagram and show Sherry some love.

30 Questions With Photographer Jess Lantz

I’ve really enjoyed this project I’m working on where I interview photographers I know and admire. I ask them to answer 30 questions about themselves and their photography, and I ask them to share some of their work. I’ve really been looking forward to hearing the answers from the next photographer. He’s been a guest on a couple of photography related podcasts and I always enjoyed listening to his stories of his photographic journeys. I find his photography particularly engaging. When scrolling through Instagram, his photos always seem to stop me in my tracks. I really appreciate his perspective and his ability to draw out and communicate the interesting parts of his subjects.

The next photographer I want to introduce you to is Jess Lantz.

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I’ve never met Jess in person, but I hope to go on a photo walk with him someday. I first came to know Jess through his activity on the Negative Positives Facebook group and started following him on Instagram. I instantly became drawn to Jess’s photos. They were easy to spot, as I think his photos have a certain quality to them that really makes them stand out. I struck up an online conversation with Jess and instantly felt like I’d know him for years. He’s just one of those special kind of people. I hope you enjoy his interview as much as I did.

Q: What is your name and where do you live?

A: Jess Lantz. I live in the Pacific Northwest or more specifically South Puget Sound.

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Q: How can people contact you?

A: Website: Sojourninglight.com (someday this winter when I can focus on it on some cold and rainy day). Instagram: @Lantzjess. Maybe on Flickr in the future.

Q: If we’ve met, how do we know each other?

A: We haven’t physically met but in this day and age I know you through our online social connections better than I know some friends of mine.

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Q: What is your earliest memory of taking a photography?

A: I’d say, I was about six or seven years old. My father was a prolific amateur photographer who was always packing his Argus C3 and some kind of Ansco 120 folder. He would show me how to compose and hold my breath as I pressed the shutter button. I loved working with him in the temporary darkroom in our 1 bathroom home which was a bit of a contentious with my mother. He would put a piece of plywood over part of the tub and one of those rubber slip over the faucet hoses to the tub spout and he bought those Kodak tri chem packets that consisted of Dektol developer, stop bath and fixer. Enough for about 8 ounces of working solution each. We would use 5 X 7 trays on the counter to develop the prints. He had a Kodak cold light enlarger that could print up to 2 ¼  by 3 ¼ negatives that sat on the toilet seat. It was magic to me to watch in the glow of the red safe light the image appear on those little prints. In those days we would only print up to 5 X 7 prints, mostly 2x3 or 3½x5, sliding them into those yellow speed easels that put a nice white border around the print.

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Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Of the multitude of cameras I have more than my office can handle, I’d say the Minoltas of the Eighties are my favorites, especially the X-370. Yeah, it was cheap and didn’t have all the bells and whistles but I had a blast using it.

I started shooting 35mm with my 1st SLR, a Zenit E that my dad and I bought for a high school concert band trip to Europe in 1972. I think we paid 75 bucks for it and came with a 58mm F2 Helios lens. I literally beat the crap out of it hiking and rock climbing in the Cascades and Olympic mountains that surround us. From there I bought a Canon TLb QL SLR and stuck with Canon for a while. On to the 1st Canon AE-1 which was frustrating because it ate batteries. Here is where I got into the Minolta X bodies. Stuck with them till the early 90’s when my wife won a Canon Rebel G and I discovered autofocus! I switched to Canon Eos Cameras and that went into the Digital era with the 1st Digital Rebel I bought in September of 2003.

For medium Format I’d say the 1958 Yashicamat is my favorite TLR, just because I had one when I got serious about my photography in high school, it’s another camera that I literally wore out.

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Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: Rollieflex with a F2.8 lens. I have my Dad’s Rolleiflex T with the 3.5 Tessar which I finally had CLA’d this year, but it’s got a single lever Shutter/aperture EV system that I just don’t like. But someday I want a F2.8 with the two dials to adjust Shutter/aperture. I also enjoy the Mamiyaflex C2 that I have in a complete kit with 4 lenses and all the interesting bits and accessories. (and there’s the Mamiya 645 system that I’ve got two complete kits of).

Q: Is there a camera you no longer have that you miss?

A: No, not really, because I’ve pretty much bought everything I had once owned in the past.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: Landscapes, woodlands, urban decay, anything, I love it all. I was enamored with the work of Ansel Adams and Elliot Porter, Minor White, Edward Weston and especially his son Brett.

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Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: Depends on my mission, amount of time I have, who I’m with, and basically how lazy I feel. I love anything related to photography, From a 120 year old 4x5 box camera that I’m trying to use, to my Sony A7ii. I try though to use Legacy glass on my digital gear, not that I’m a cheap bastard (well I kinda am) but enjoy using it. Using legacy glass on my original Canon Digital rebel actually led me back into shooting film again. And the world of Ebay further drug me down the film path when all of that medium format gear started to be dumped for cheap around 2007-2009.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: Probably 4-5 rolls a month, a ton more of digital, and that damn iPhone gets a lot of action because, as they say, the best camera is the one you have readily available. I can get shots that I could never get with a camera, because it blends into the woodwork with everyone else’s phones. People don’t notice much. Now if I had an SLR of some sort pointed at them they would notice!

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Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: The only people I shoot with are my wife and my sister n law. They are both digital shooters, my wife is a Canon 6d jpg shooter that won’t listen to my opinion on shooting raw, and my sister in law shoots with the Olympus micro 4/3rds system who doesn’t listen to my extoling of the benefits of a full frame sensor. But hey, at least they are out shooting and enjoying photography.

I would love to shoot with other folks, but I don’t have much connection with photographers in my local area. Maybe I need to locate a group, but most of them are located in and around Seattle which is a pain to get to and from due to our insane traffic. I work in South Seattle and it’s enough of a commute that I don’t want more travel during the week. I did hook up with a Negative positives facebook member Michael Bartosek last spring and we shot around downtown Seattle and I really enjoyed that. Definitely want to do more of that. I’m planning a trip to Chicago to visit the Central Camera mecca sometime in the future and it would be great to hook up with some folks.

Q: What is your favorite black and white film right now and why?

A: TMAX 100 120. Love that stuff in my Holga Panoramic Pinhole camera. Love the grain structure when enlarged (digitally) just a beautifully toned film in my eyes.

Q: What is your favorite color film right now and why?

A: I don’t have one. That where I might turn people off but my color is best done with digital. Never had good luck with color print film back in the film era. The best color back then was Ektachrome slide film from my Rolleicord. Maybe if I shot some Ektachrome now but cost is too much.

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Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: I can be creative and make art that I enjoy. My mother was a painter and creative but she took forever to make it. I’m lazy I don’t want to take forever to make my art. I get a sense of accomplishment when I create an image that I like and other like too. I just recently got into sharing my work on Facebook and Instagram, and I love seeing what others create too.

Q: Best experience while taking photographs?

A: We went to Ireland this summer for vacation and fell in love with that country. It was one of the best places to shoot. The Dingle Peninsula has to be the best place I’ve ever photographed! Just stunning. I could shoot forever there.

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Q: Most emotional experience while taking photographs?

A: Four years ago we vacationed in Scotland and we went to the Isle of Iona Just a short distance from the Isle of Mull. It involved a ferry boat ride form the Little seaport of Oban.

I’m not a religious guy, but man, did I feel something on the Isle of Iona. It was where Christianity was brought to Scotland in 563 A.D. by an Irish Monk Saint Columba. The abbey there an amazing place to shoot, and the ruins of the Benedictine Nunnery are absolutely stunning. The water along the shore was an emerald green contrasted by a blanket of white sand among the rocks of the shore.

Q: Worst experience while taking photographs.

A: Can’t get any worse than the stress of shooting a wedding and dealing with “Mother in Laws” I don’t do weddings anymore, period.

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Q: Tell me about something related to photography you want to learn.

A: How to use Photoshop. Back when it was first out I learned as much as I could but years later it’s gotten overwhelming and complicated. I need to spend some time with it more.

Q: Tell me about something NOT related to photography you want to learn.

A: Book binding, or book making. I want to find a way to create my work in book form. Maybe start off creating some zines.

Q: What does your family/loved ones think/feel about your photography?

A: They like my work except when I do that weird pinhole stuff and some of my side trip genre’s. For thirty years, my wife would stay in the car as I went over the edge of a ditch and into the woods, fields, near the cliff or up a trail. When I went to Australia for work several years ago, the company flew my wife down for two months, she found that she had plenty of time on her hands to wander around the city of Melbourne and she said she wanted a camera. That started her journey into taking images, so we now have that in common. My daughter also caught the camera bug from me and has started a small portrait side business taking family shots. And my sister in law started the hobby too. And has gotten into it shooting birds and wildlife.

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Q: What is the last photography related book you’ve acquired?

A: A collection of images by Aaron Siskind. I’m lucky to live in an area with at least 4 Half Price Bookstores, a used bookstore chain that originated in Texas. I find some amazing photographic related books there, much to my wife’s chagrin.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: There are so many, I hate to single one out because there are some awesome photographers out there. Three that come to mind are @nickexposed, @antonartaud, @Rosenzart. I am very partial to B&W photography, I love texture, contrast, moody blacks, and everything about a B&W image. You don’t have color to camouflage or fall back on. Other photographers are @Nedsoldman, @Barryhitterman and @Feeling.color.less. Again there are so many great photographers I haven’t mentioned.

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Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have sold sporadically in the past. Once some large abstract stuff for a friend’s large entry way staircase. I did a series of large waterfall prints for a psychiatrist’s office because she wanted some calming imagery for her walls.

I think it’s a struggle to sell in today’s market because there is so many people trying to sell. I also have a problem sticking to one style or genre of images. I’m a dog’s breakfast playing with so many different types of photography. Sticking to one style might be the disciplined approach, but it would take to fun out of what I like to do.

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Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: Nothing off hand. I am shooting more Kodak 2238 and playing with different way of developing it Trying to find that perfect combination… kind of like looking for the holy grail.

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: I want to write, sketch, paint, get back to my woodworking but…. Time is a limited resource and working for a living gets in the way of my hobbies. Hopefully I will retire in a couple of years when I get tired of working for a living but I’m still having fun, because it buys my toys.

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Q: Where is your favorite location to shoot (specific place or type of place)?

A: The Oregon coast, from the mouth of the Columbia river clear down to Brookings. What an amazingly beautiful place. Put it on you bucket list!

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Other than the Tchotchke’s I find in thrift stores while I’m in search of cameras, not really. Everything is game and just depends on my mood or what I’m currently infatuated with.

Q: Favorite thing about the photographic community?

A: The variety of people, the connection, the Negative positive Film group way. If it wasn’t for this group of people I would never had met such fascinating people. Maybe one or two here and there but nothing like this bunch! Which led me to other similar groups like the Classic lenses bunch, The large format and the lensless podcast groups

Q: What do you think the photographic community is missing?

A: Maybe better cooperation between the generations? Even though there is a connection, I think it could be better. Of course, this is coming from an old guy.

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Q: Biggest photography related pet peeve?

A: Film vs digital vs iPhone bias. It’s all about the image! It’s what you see and look at, not necessarily with what you achieved it with. I use everything, they are tools in the toolbox sometimes I want a chisel, sometimes I just need a hand router.

Q: What do you hope your photographic legacy will be?

A: Maybe someone, my daughter, grandkids or generations to come, might pause a bit and see the world as I saw it. I have my dad’s boxes and boxes of slides, negatives and prints that I need to do something with to preserve his legacy too.

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Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: I wish I had taken more shots of my dad. I don’t have many great shots of him, both of us being photographers, we stayed out of the shots most of the time. Somehow he didn’t photograph well in Black and white, or I wasn’t able to capture him in good light, hard to explain it. I just miss him too much.

Jess is definitely an interesting photographer and I really enjoy the photos he posts. Head on over to @Lantzjess on Instagram to check out Jess’s photos.

30 Questions With Photographer Matt Melcher

My, how time flies! I can’t believe it’s been almost 2 months since my last blog post! I’ve been working on this next post for about that long, but work, school, and a trip half way around the world (this trip was for work, but I did take some film photos that I’ll share in a future post) has kept me pretty busy. Still, I had really hoped to get this next post out long before now.

If you remember, I had started a new project where I interview photographers I know. I ask them to answer 30 questions about themselves and their photography, and I ask them to share some of their work. I’ve really enjoyed the first couple of interviews and I’m hoping you find their answers and their photography as interesting as I do.

The next photographer I want to introduce you to is Matt Melcher.

I’ve never met Matt in person, but I’ve been working with him on the Frugal Film Project for all of 2019. Matt, along with the other members of the project, participates almost daily in a group Facebook chat with me and other members of the group. Over the past year, we’ve all become great online friends. Like the others, he’s a wealth of photographic knowledge that I feel privileged to know.

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Q: What is your name and where do you live?

A: Matt Melcher, Central Iowa

Q: How can people contact you?

A: On Instagram, I’m @box_of_cameras and @mattmelcher – one for the podcast and another is personal. Also, mattmelcher on Flickr, @boxofcameras on twitter, and I’m on facebook too.

Q: If we’ve met, how do we know each other?

A: We are both part of The Frugal Film Project.

Q: What is your earliest memory of taking a photograph?

A: I’m not sure this counts, but when we were kids my dad would give us his old cameras to use as toys. I have very distinct memories of playing with a Kodak Brownie Hawkeye Flash, a Kodak X15 Instamatic, and an old Kodak 8mm movie camera that you had to wind to make it work. Dad was a Kodak man. Of course, he didn’t put any film in them.

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Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: I don’t really look at things that way, but I certainly enjoy my Minolta SRT202, and X700’s. I like shooting my Yashicamat 124G and Holga’s equally. I am currently enamored with my ONDU pinholes too. But I’ve got loads of cameras I really enjoy when I pick them up and use them.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: Again, I don’t really look at it that way – I don’t lust after any camera (btw – my mom always says ‘you can’t love a thing’). That being said, I would like to shoot any fancy camera that is generally sought after, just to see what the fuss is all about (your Leica’s and Hasselblad’s come to mind). I recently saw a young lady shooting a Graflex and that intrigued me. But I’m not on a mission to find a certain camera.

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Q: Is there a camera you no longer have that you miss?

A: Not really. The ones I’ve sold I did so because I didn’t like shooting them. I DO wish my Minolta XD11 worked right. I should send it off to get repaired.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I shoot mostly photographs of objects and landscapes – things around me. Oh, and my dog. Lots of photos of my dog. And the tree in the park behind my house. I also love to take photos of buildings, plants, sculptures and artwork. Basically, the things I look at everyday that interest me enough to press the shutter release button. Why? – I wish I knew. I have shot some portraits, but I find I don’t really enjoy photographing people. It’s very much out of my comfort zone. Same with street. I’ll do it on occasion, but I’d rather have a conversation with someone than shoot a photograph of them.

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Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: I’m a film guy that doesn’t own a digital camera (other than my phone). That being said, I have nothing against digital at all and have almost purchased a digital camera on many occasions. I do love shooting on my phone and using apps to alter the photos. That’s fun. As for why I shoot film? It’s the process and expectation that I enjoy. I love shooting and not knowing what the final image is until I develop it. I may have an idea in mind, but I don’t know if it worked until later. I don’t need to see the image immediately, nor do I want to shoot dozens of similar images to get ‘the right one’. And I absolutely love developing film – seeing it when you open the tank – I get a charge every time.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: I take a photograph on film every single day – usually several (not counting phone shots). Last year I shot an average of two rolls a week. This year I’m on the same pace as I passed 50 rolls on the Fourth of July.

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: The vast majority of time I spend shooting I am by myself. Usually because I want to take as much or as little time on something as I want. I do like it when I cross paths with other photographers and we can chat and maybe shoot together for a bit, but I prefer to shoot alone.

Q: What is your favorite black and white film right now and why?

A: I keep circling back to HP5+. It can get grainy and blocky, and that’s what I like about film. Special shout out to Tri-X. I’m also currently enamored with Kodak 2238 and Fuji 4791 separation films. They’re a little fussier, but I’ve been shooting a ton of it this summer with great results.

Q: What is your favorite color film right now and why?

A: I love expired color film. I’m currently shooting my very large supply of Kodak Vision 2 500T film. I’ve also shot a ton of Fuji color film this year. I prefer the expired Kodak for the muted color palate.

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Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: I’ve avoided calling myself a photographer for years. It just doesn’t seem to fit. I’ve always referred to myself as a Film Photography Enthusiast…but yeah…I’m a photographer. What do I get out of it? Let me put it this way, it’s like there’s a giant visual puzzle where you where you are challenged to use a mechanical device to create a visual answer to the puzzle. No words or explanation can be involved – only an image. Sort of like a visual algebra challenge where you have to solve for x, but there are an infinite number of possible correct answers, only you can determine if the answer is correct, and your correct answer may be incorrect by any one else’s standards. You create the visual answer to the puzzle. And I like the noise the shutter makes when I press the button. And film advance – that sounds cool too.

Q: Best experience while taking photographs?

A: I always get a grin when someone acknowledges my film camera. That’s fun. Best experience was probably shooting the redwoods in California and getting lost in the woods with my wife. I just kept snapping photos because the light was perfect. We laughed because we knew we would hit civilization eventually. We actually found a familiar looking tree and wandered out right next to the truck. Also, shooting the Golden Gate Bridge. All these folks with nice digital rigs and tripods and staking out spots, shooting dozens of photos, chimping, and acting like real photographers. I walked into the middle of them with my Yashicamat 124G, snapped a photo, wound my film and kept of walking. It was like someone set off a firecracker. They all stopped and stared, and I just took another photo. They turned out great btw.

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Q: Most emotional experience while taking photographs?

A: I think it was shooting the Great Eclipse in 2017. Being kind of a science and space geek, I was really excited about it. The path of totality was about 200 miles away and my wife and I got up early and drove to Missouri to see it. Unfortunately, it was rainy and cloudy the entire drive and we couldn’t see any blue sky, let alone the sun. We spied a break in the clouds and drove in that direction until right before it started. I literally backed into a corn field, set up my tripod and cameras, and got ready to shoot. Suddenly the clouds parted and we had clear blue sky for the duration. I was totally geeking out at the whole thing – 10-year-old Matt came out and was almost overwhelmed by the experience. Plus, I got a great ‘Diamond Ring’ photo out of the deal!

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Q: Worst experience while taking photographs.

A: Taking my nephew’s High School Senior portraits and my off-camera flash stopped working. These had to be perfect, and I was blowing it. Fortunately, I found some muted shade and an interesting tree and got a few good shots.

Q: Tell me about something related to photography you want to learn.

A: I think I’d like to learn darkroom printing. I’m not really set up for it, but I’d like to give it a go someday. That and maybe some large format work.

Q: Tell me about something NOT related to photography you want to learn.

A: I’m a homebrewer and I’d like to learn to make better beer. I’m pretty good, but I keep coming up short in the competitions I enter.

Q: What does your family/loved ones think/feel about your photography?

A: My wife tolerates it – in a good and encouraging way. She likes taking photos on her phone, but has no real interest in cameras.

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Q: What is the last photography related book you’ve acquired?

A: I don’t purchase many photography books, but one that came with a camera I bought is titled The Nature Photographer’s Complete Guide to Professional Field Techniques. Whoever owned it had read it front to back, highlighted passages, made notes in the margins, and dog-eared dozens of pages. I hope they got some good results after reading that book.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: Eric Swanger @conspiracy.of.cartographers because he shows that using film and old cameras generally produces the most intriguing photographs. I also really like Amy Blessing @iowamy – she’s really been posting some fantastic stuff. Shout out to @deniseg316 too – great photos from her as well.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: Never sold any, but I would if I got the chance. But I’ve never really looked into it. Maybe someday.

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: My photography projects usually start as one thing and then become something completely different. I’ll eventually do something with the ‘My Tree’ photographs. I’ve got this loose concept involving public sculptures. Also working on a rural decay thing that involves structures and places inhabited by my ancestors.

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Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Sometimes life is your project. Right now, most of my free time is revolving around caring for my mother as she ages and battles dementia. It’s hard and can be consuming of all your time and energy. We are planning a remodel of a couple of rooms in our basement but I don’t see that happening for a few months.

Q: Where is your favorite location to shoot (specific place or type of place)?

A: I really like shooting while I’m out riding my bike. I come across some interesting things and perspectives while out for a ride. I also love shooting while out driving the gravel roads in central and southern Iowa. In reality though, a large portion of my photos are taken in my backyard.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: There’s a few. First – My Tree. It’s a large Box Elder tree in the park directly behind my house, right next to the picnic shelter. I have taken hundreds of photos of that tree. It started out that whenever I would get a new camera or film, I would test it by taking photos of the tree from my deck, yard, or park. Then I put them all together in an album and had an ah-ha moment. These photos, using dozens of different cameras and film emulsions, taken in all different seasons, times, weather and light stand on their own entity – not just test shots. If I can wrap my head around how to present them and how to combine them with some decent words, I’ll eventually turn them into a zine or book. I’ve also been shooting the dolphin statue in front of the local swimming pool mostly when I’m out walking my dog. It’s the only piece of public art in my town and that’s sad.

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Q: Favorite thing about the photographic community?

A: The enthusiasm and collaboration, especially by the younger people. With a few exceptions the FILM photography is a supportive group. The digital crowd, not so much.

Q: What do you think the photographic community is missing?

A: Its practitioners seem to be mostly male, so I’d like to see more women being actively involved. They’re out there, but I’d like to see more.

Q: Biggest photography related pet peeve?

A: So-called experts. Sure, criticism is fair, but there’s more than one way to skin a cat – and take a photograph. Can we let people pursue their own path without telling them they’re doing it wrong?

Q: What do you hope your photographic legacy will be?

A: Legacy? Oh, I doubt there will be any legacy. When I’m gone I’m pretty sure all my cameras will be sold or thrown away, as well as most of my photo’s. I would hope that I have one photograph that is still being looked at in a hundred years. I think that will suffice.

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: Like I said, I’m not really a portrait shooter. So, I’ll just say I would like to take a portrait of my dad when he was a young man – well before my mom or us kids came into the picture. Really just to see what he was like back then. I heard stories, but he denied them all. After that, I’d say Elvis.

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Matt is a very talented and knowledgeable photographer….and a bit of a goofball. I asked Matt for a self portrait that I could use for the interview, and he sent the above photo. I chose to include it anyway because I think it shows just how fun Matt is. I always look forward to Matt’s photos for the Frugal Film Photography project and really enjoy listening to his podcast.

Head on over @box_of_cameras or @mattmelcher on Instagram and show Matt some love. And give his podcast a listen!

30 Questions With Photographer Chris Aragon Etzel

If you’ve caught the first installment of my “30 Questions with…” project, you remember that I’m asking photographers I admire to answer 30 questions about themselves and their photography. I also ask them to share some of their work. I’m hoping you find their answers and their photography as interesting as I do.

In this installment, I would like to introduce you to Chris Aragon Etzel (or simply Aragon, as he’s know in our household).

I first met Chris in August 2018 at the Film Photography Project Walking Workshop in Findlay Ohio. We were staying in the same hotel and met up with each other at the bar after the Friday meet and greet at the Jones Mansion. While grabbing a late bite to eat, Chris and I, along with some other photographers staying at the same hotel, discussed cameras, film photography, and the gear we brought to shoot at the weekend workshop.

Chris and I met up the next morning and hung out most of the day at the Walking Workshop.

Chris visiting the Film Photography Project’s merchandise table (you always need more film). (Photo by Sam Warner)

Chris visiting the Film Photography Project’s merchandise table (you always need more film). (Photo by Sam Warner)

After the Saturday workshops concluded, Chris and I joined some other photographers for a “short” (a “15 minute walk” turned into an hour long trek) photowalk to the fairgrounds, where a steam equipment show was taking place.

Chris (second from the right) and I (second from the left) met at the Film Photography Walking Workshop. (Photo courtesy of Mark O’Brien)

Chris (second from the right) and I (second from the left) met at the Film Photography Walking Workshop. (Photo courtesy of Mark O’Brien)

After the Film Photography Walking Workshop, Chris and I stayed in touch and became great friends. We talk on an almost daily basis about photography, music, and life in general. Chris introduced me to the joys of good rangefinders, proper beard care, the various ways to greet a friend using “bro” (e.g., “Bro-nica”, “Brocycle”, “Brotholomew”, etc) and bulk rolling Kentmere 400 film.

Here’s what Chris has to say about his photography.

Q: What is your name and where do you live?

A: Chris Aragon Etzel. Memphis, Tennessee.

(Photo by Chris Etzel)

(Photo by Chris Etzel)

Q: How can people contact you?

A: The best way to contact me is through my website at www.aragonseye.com. I’m also on Instagram at @aragons_eye.

Q: If we’ve met, how do we know each other?

A: Sam and I met in Findlay, Ohio in August of 2018 at the Film Photography Project’s Walking Workshop.

Q: What is your earliest memory of taking a photograph?

A: When I was in my early twenties, my dad gave me his Sears T.L.S. with a 55mm lens and a roll of Kodak color 200. I quickly found out there was $0.99 Black and White film and bought a few rolls. I used it a few times and put it down. I didn’t pick it back up again until 2014 – like 20 years later.

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: 35mm: Canon F1n 120mm: Holga 120 (Although my Bronica ETRS is a close second)

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: Well, I really want an Epson R-D1 as it was the first digital rangefinder, but for film cameras, I want a Nikon 28Ti. It has such a beautiful Bauhaus look and the analog dials on the top are just sexy. It gets mixed reviews because it’s slow and has a tiny viewfinder, but who cares. It just looks so cool.

Q: Is there a camera you no longer have that you miss?

A: Yes, my Fujifilm Klasse. It was a fantastic camera and instead of really using it, I kept it as a “backup” camera. That was my mistake. It was a perfectly capable point-and-shoot that had a decent set of manual control dials, a quiet operation, and the amazing Fujinon coated lens. I still regret selling it.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: If you view my website, you’ll see I’m kind of all over the place, but I do like to shoot photos of textures and signs. I work in Downtown Memphis, so I like taking pictures of the aging buildings and other interesting street objects. Sometimes I do some street photography, but mostly it’s “parts” of buildings or lamps, signs, letters, numbers. I also enjoy statues and cemeteries.

(Photo by Chris Etzel)

(Photo by Chris Etzel)

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: This is a fantastic question! I prefer the process of film photography. I like being part of my images; loading, shooting, developing, scanning, sharing. This is a very tactile experience for me. I also enjoy the softer look I get from film. When I shoot digital, I’m usually ISO 1600-3200 auto so I get the softness, although it’s not totally the same. But I really, really love my Fujifilm digital cameras. I’ve had an X-Pro1, X100T, and now an X-T20. I love the Fujinon glass and the Fujifilm in-camera emulations.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: I tend to shoot in batches and then I don’t shoot for a while. I’ll decide to go somewhere and make photos and take 3-5 rolls with me fully intending to stay until I’ve shot all the rolls. I have a lot of cameras, so I also take them out to shoot them and review them, which lends to this burst-mode of shooting. I also load my own film, so when I run out, I’ll shoot digital until the new stuff comes in.

(Photo by Chris Etzel)

(Photo by Chris Etzel)

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I really enjoy shooting with others because I like to interact. I’m really introverted unless I’m out with a group of like-minded photographers. When they come across something they think is interesting, I may not agree, but it’s really cool that others see beauty or interest where I don’t. A group also sees things that I would miss on my own. Plus, I love cameras! Groups have lots of cameras to lust after.

Q: What is your favorite black and white film right now and why?

A: Kentmere 400. It’s cheap, has decent latitude which is good for me because I am way too lazy with my metering. It’s also got a nice tone to it. It works well with Rodinal stand development and D-76, it has no curl so it fits in my scanner trays properly, and did I mention it’s cheap ?

Q: What is your favorite color film right now and why?

A: I might sound like a broken record, or a fanboy with an endorsement contract, but I really love Fujifilm, and for film it’s Fujifilm Superia X-Tra 400. I am in love with the cooler blues and greens and the subdued reds and browns. My favorite color photos in my collection were all shot on Superia X-TRA 400.

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: …”I love the mechanical beauty of a camera.” I often look at my collection and I am amazed at the innovation that went on during the 50’s, 60’s, and 70’s. The steampunk look of the Argus C3 or the Ricoh-35, the Flash Gordon look of the Kodak Retinette IA, the “Leather and Metal” look of the 1970’s SLR’s from Canon and Nikon, and the marriage of manual and automatic with the 1990’s premium point-and-shoot cameras. There was just so much going on and so many companies experimenting.

Q: Best experience while taking photographs?

A: When I first started shooting street photography in 2015, I had a Zorki 4K with a Jupiter 8 50mm f/2 lens and some Kentmere 400. I was walking around downtown on a gloomy, chilly day and I’d decided I wanted to try my hand at shooting wide-open. Right as I’d set my lens to f/2 and adjusted my shutter speed, a guy in a hoodie walked right toward me and I snapped a portrait of him. He even smiled and kept walking.

(Photo by Chris Etzel)

(Photo by Chris Etzel)

Q: Most emotional experience while taking photographs?

A: After the FPP workshop was over last August, I drove from Findlay to Niagra Falls. At the falls I was totally in awe over the power of the water, the sounds of the falls and the overall beauty. I couldn’t shoot enough rolls. I had the Bronica ETRS and 9 rolls of Fujifilm Velvia and Provia 100, and my Fujifilm Klasse with Superia X-TRA 400. I used up every roll I had and was so excited to get back home and develop the film, only to realize in my eagerness to start snapping away, I’d left my darkslide partially engaged. All 9 rolls from the session were blank.

Q: Worst experience while taking photographs.

A: This spring I took my family to the Memphis Zoo and my 8 year old son wanted to shoot film. I lent him my Minolta AF-2. The counter was at 12 and I remembered using color film in it, so I told him to use it and shoot the remaining 24 shots. While we walked the zoo, he would snap shots and tell me how many were used. “Thirty three, dad.” “Thirty five…, thirty six… thirty seven.” I thought he’d gotten a an extra frame out of it due to my frugal loading. When he said “Thirty nine…” I knew in my heart his camera was empty. I popped the back on it and sure enough there was nothing in it. He started to cry and said “All those shots I took,” paused between tears and sternly demanded “Next time we come to the zoo I want a digital camera.” I felt so bad for him, but totally understood.

(Photo by Chris Etzel)

(Photo by Chris Etzel)

Q: Tell me about something related to photography you want to learn.

A: I really want to learn how to properly meter. I am way too guilty of leaning on exposure latitude to cover my butt when I’m out shooting. Most of the time it works out in my favor, but some of the neutral grey black and white photos I’ve taken remind me that I have a deficiency. I’m getting better, but I would love to get great at it.

Q: Tell me about something NOT related to photography you want to learn.

A: I want to learn to speak Spanish fluently. I live in the United States, the second largest Spanishspeaking country in the world. I know that sounds weird, but really it’s true. We are blessed that we’re not only bordered by two different countries and cultures, but that we’re not at war with either. The Mexican people have a beautiful culture and are beautiful people, and I think it’s only fair that I speak their language – they’re willing to speak mine.

Q: What does your family/loved ones think/feel about your photography?

A: My family is very supportive of my hobby. My kids love jumping in the car to go out on photographic adventures. I recently bought my wife an underwater camera, my daughter has one of our older digital cameras, and my son, well, he still likes film. If he sees me heading out the door with a camera, he’s running to the camera shelves to pick on so he can go with me.

(Photo by Chris Etzel)

(Photo by Chris Etzel)

Q: What is the last photography related book you’ve acquired?

A: The most recent photography book I’ve acquired is 2 ¼ by William Eggleston. Bill is, by far, my favorite color photographer. I love his work for its style, it’s color tone, and the fact that he can take the “mundane” and make it “interesting.” The book cover has a half of a 1960s Ford Mustang on it. He was just in a parking lot and took a photo of cars. Regular cars, not exotic cars. Yet the photo drew me to the book and what is inside is just as fascinating.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: Photographer Colten Allen, a.k.a. “daiku_san” is an amazing photographer. He suffers from ALS, and is in a wheelchair, but that doesn’t stop him from making the most amazing photos. His style very much reminds me of William Eggleston, and I have yet to see a photo I didn’t just love. His perspective is from a seated position and it’s another thing that makes it stand out among the IG crowd. If there was a photographer I would love to go shooting with, it would be Colten Allen.

(Photo by Chris Etzel)

(Photo by Chris Etzel)

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: have not sold any of my work because it seems like such a hassle. If I had a darkroom, maybe I’d make some prints and throw up an Etsy page, but I like Eric Kim’s old “Open Source Photography” philosophy and I share that ideal. If people like my work, just ask for a copy to print. If you want to share it on a website, give me a shout out. Just don’t steal it. As for advice, remember there are a million other photographers out there doing the same thing, so the field is saturated. Don’t expect to make it a full-time job.

(Photo by Chris Etzel)

(Photo by Chris Etzel)

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: I am not really on any projects right now. I’d love suggestions! I really enjoy the work of the Frugal Film Photography project and hope to get my name in the hat for that one year. They have amazing work on cheap cameras.

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Nope. I’m pretty basic.

Q: Where is your favorite location to shoot (specific place or type of place)?

A: .Dixon Gallery and Gardens in Memphis (https://dixongallery.org). It’s an old private residence that was converted to an impressionist art gallery and public gardens. Last fall/winter they planted over 100,000 tulip bulbs that bloomed in May this year. It was a beautiful sight.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: There is, actually, an object I have photographed with nearly every camera I own. It's a little sign above my stove in the kitchen that reads "this house runs on love, laughter and lots of strong coffee".

It is in a place that is lit by a florescent bulb but also a place that doesn't have great lighting, so I use it to test the low light abilities of new lenses, and the white balance of my digital cameras. I also know it's exactly 2.5m from the kitchen sink, so I can test the close focus accuracy of my old rangefinder cameras.

Q: Favorite thing about the photographic community?

A: I like the film photography community. They tend to be low-key folks willing to share, swap, teach, learn and keep in touch. I haven’t had much luck with digital photography groups. For those, a camera is a camera. It’s Nikon or Canon. I got bullied by a retired photographer for shooting a film Leica in the group!

Q: What do you think the photographic community is missing?

A: More daylight.

Q: Biggest photography related pet peeve?

A: Watermarks. You’re not as famous as you think, and if you were you’d know you don’t need a watermark. They ruin a beautiful image.

Q: What do you hope your photographic legacy will be?

A: I’d love for folks to look back and say, “He was a great photographer and shared his talent and love freely with others.”

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: I think I’d like to get a good portrait session with my dad. He doesn’t like getting his photo taken, but he has great facial lines that are accentuated as he ages. He looks like he’s hardened even though he’s a gentle man. I would take his portrait against a black backdrop while he’s sitting in behind a big wooden ship’s wheel. He’d be in jeans, Sperry topsiders, and a white t-shirt. I’d use my Bronica ETRS and a couple rolls of Tri-X, pushed.

As you can see from the photos Chris has shared, he’s a very talented photographer. I’m very excited to see the photos Chris shares with us in the future.

Head on over to www.aragonseye.com or @aragons_eye on Instagram and connect with Chris.

30 Questions With Photographer Shawn Augustson

I know a lot of photographers. Some I’ve met in person. Some I only know through their online presence. Some are well known throughout the film photography community, but most are not. They aren’t “professional photographers” if you define a professional as someone who earns their living from the photos they produce. That’s not to say they haven’t sold photographs or haven’t been paid to photograph. It just means photography isn’t their primary source of income. If you asked them if they considered themselves professionals, many would laugh at the idea and would say they don’t even consider themselves artists or photographers at all. They’d suggest they’re merely hobbyists who enjoy taking photos.

Well, I disagree. I look at the work these photographers produce and feel like it should have a bigger audience. I feel like there’s a story as to why they photograph what they do, in the way that they do, when they do. I wanted to know what inspires them, what motivates them, and what makes them choose the cameras they use.

To do this, I thought I’d start a new project. For this project, I’d ask them to answer 30 questions about themselves and their photography, and I’d ask them to share some of their work. I’m hoping you find their answers and their photography as interesting as I do.

The first person I want to introduce you to is Shawn Augustson.

Self portrait. (Photo by Shawn Augustson)

Self portrait. (Photo by Shawn Augustson)

I first met Shawn in August 2018 at the Film Photography Project Walking Workshop. I had really just gotten back into shooting film myself a short time before attending the workshop and didn’t really know a lot of other film photographers. I hear quite often how many film photographers happen upon the Film Photography Project Podcast and suddenly have this eureka moment of discovering they’re not alone in their desire to shoot film. That was me. I suddenly found myself surrounded by people who had the same passion as I. Some of us even went on a photowalk one evening after the workshop had concluded for the day. I had found my tribe. I met so many people that weekend and exchanged contact information with many of them. Unfortunately, Shawn wasn’t one of them. It wasn’t until later the next month that our paths would cross again.

Shawn (back row, on the left) and I (front row, on the left) at the Film Photography Walking Workshop, August 2018. (Photo courtesy of Robert Hamm)

Shawn (back row, on the left) and I (front row, on the left) at the Film Photography Walking Workshop, August 2018. (Photo courtesy of Robert Hamm)

After returning home from the workshop, I quickly realized it wasn’t as fun going on photowalks when I was the only photogrpaher. I missed seeing what other photographers were shooting (camera and film) and missed comparing the results they got with my own on similar subjects. I decided I wanted to organize a film photowalk of my own. I posted an invitation on Instagram for an afternoon of photography in Cincinnati for the following weekend. It was short notice, but I ended up getting a few takers. One of them was Shawn.

The first photowalk crew: starting from the left, Edmund, Myself, Shawn, and Austin. (Photo by Sam Warner)

The first photowalk crew: starting from the left, Edmund, Myself, Shawn, and Austin. (Photo by Sam Warner)

Shawn, scoping out his next shot in Cincinnati. (Photo by Sam Warner)

Shawn, scoping out his next shot in Cincinnati. (Photo by Sam Warner)

Shawn Augustson (Photo by Sam Warner)

Shawn Augustson (Photo by Sam Warner)

After the Cincinnati photowalk, Shawn and I stayed in touch and became great friends. We’ve continued to meet up for additional photowalks and even some one-on-one shoots. I’m honored that Shawn accepted my invitation (badgering, really) to talk about photography with me and was willing to let me share some of his work on this blog.

Shawn and his Minolta. (Photo by Sam Warner)

Shawn and his Minolta. (Photo by Sam Warner)

Q: What is your name and where do you live?

A: Shawn Augustson. Columbus Ohio.

Q: How can people contact you?

A: The best way to contact me is through Instagram at @bestoftheroll.

Q: If we’ve met, how do we know each other?

Shawn Augustson (Photo by Sam Warner)

Shawn Augustson (Photo by Sam Warner)

A: FPP Walking Workshop.

Q: What is your earliest memory of taking a photography?

A: My dad taking me to Disney World when I was 12 with a disposable camera.

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Medium Format: Bronica S2, 35mm: Nikon N70, Point & Shoot: Leica Minilux Zoom.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: I finally got it with my Bronica S2. I like medium format and I also like that there are no electronics with it. It gives me good vibes when I use it and I feel creative. I have always wanted a Leica M6.

Q: Is there a camera you no longer have that you miss?

A: Leica M4-P.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I like doing street photography, mostly because I like to wander around and see people. I am interested in portraits but never have anyone to pose for me.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: shoot film only. I don't really enjoy doing digital photography.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: I pretty much find a way to shoot at least a roll every day.

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I wish I could photograph with others as I enjoy being out somewhere with another person. About 99% of the time I am by myself and it feels like a lonely planet. This might also be a reason why I like photographing people.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: What is your favorite black and white film right now and why?

A: I like HP5 400. I like to shoot it at box speed as well as it pushes and pulls nicely. If I was only allowed one film it would be this one.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: What is your favorite color film right now and why?

A: I haven’t really settled on a favorite as of yet. I do like Ektar 100. In 35mm format I tend to shoot a lot of Kodak ColorPlus because its so cheap.

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: I don’t see myself as a photographer. I am mostly documenting my existence I guess. It is more

of a form of therapy for me to help me deal with my mental health issues. My photos are just

stuff I interact with throughout the day.

Q: Best experience while taking photographs?

A: Capturing firefighters that were responding to a building fire in downtown Columbus, OH.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: Most emotional experience while taking photographs?

A: I photographed a little girl, her baby sister and an older man with them in Iraq using a walking around picking up spent ammo casings that they would then turn the brass in for payment. It made me cry. I pictured kids back home on an Easter egg hunt laughing and having fun while they had to do this in order to survive. The sight of me standing there in full battle rattle with a weapon had to be terrifying to her. I wanted to just hug them and keep them safe. I can hear her little voice in my head to this day saying to her sister “Soldier. Camera Click-Click” explaining that I was not going to hurt them and was taking a photo. I often wonder about them and how their lives turned out. When looking for these photos I had a certain photo in my mind and discovered it was not there. I dream about this family a lot at night and I think what I was picturing was actually just a photograph that was in my mind.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: Worst experience while taking photographs.

A: Accidentally photographing a drug deal and being noticed, then having my life threatened.

Q: Tell me about something related to photography you want to learn.

A: I would like to learn more about night photography. I tend to be out in the daylight more often.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: Tell me about something NOT related to photography you want to learn.

A: How to play the violin.

Q: What does your family/loved ones think/feel about your photography?

A: They are probably the ones who know most about why I photograph certain things and how much it helps me. They fully support me.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: What is the last photography related book you’ve acquired?

A: I don’t have any.

Shawn Augustson in action. (Photo by Sam Warner)

Shawn Augustson in action. (Photo by Sam Warner)

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: I don’t have a favorite photographer but I do like to see all the various works from around the world that Ilford Photo post.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have sold photos in my various solo gallery shows at local art galleries museums here in Columbus, OH. It’s something that maybe I should pursue more but always falls to the back burner. I haven't really taken a lot of photos that I feel are worthy of selling. Most of what I photograph are things I see throughout my day and they appeal to me, not really something that someone wants to hang on their wall.

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: I am starting a series of works called “Living After War”, it is photographs of my fellow veterans and how they are dealing with ways to continue living after experiencing the horrors of war. I want to highlight positive ways of coping with negative thoughts we have. When I returned home from serving in Iraq I attempted suicide several times. Eventually art and photography gave me a way to express my thoughts and emotions and have been one of the best forms of therapy for me. I saw first hand with other veterans that I shared with the hope that it gave them. I would like the series to be something that someone veteran or not who may be dealing with issues be able to see something positive that they can also do to help them continue their mission and live on.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: None at the moment.

Q: Where is your favorite location to shoot (specific place or type of place)?

A: Somewhere with people. I would love someday to go to NYC and photograph on the streets.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: I have photographed a lot of exit signs, mostly because I am always looking for the best way out of a place and I found that taking a photo of it then settled down my anxiety.

Q: Favorite thing about the photographic community?

A: Those that I have interacted with tend to share knowledge more.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: What do you think the photographic community is missing?

A: Someplace better to share photographs than Instagram.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: Biggest photography related pet peeve?

A: That all film photos should have light leaks, be under exposed and poorly focused.

Q: What do you hope your photographic legacy will be?

A: That I had fun doing it.

(Photo by Shawn Augustson)

(Photo by Shawn Augustson)

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: I guess I would have liked to photograph my dad before he passed away. I have often thought that had I been interested in photography then that maybe doing some portraits would have helped me understand him better. I would have most likely photographed him playing guitar as well as with his Harley Davidson Motorcycle. I would have to set up some sort of moody dark shot to highlight all his tattoos and biker patches. I guess I would just convey the message that “I am your father and I loved you the best way that I knew how.”.

Shawn Augustson (Photo by Sam Warner)

Shawn Augustson (Photo by Sam Warner)

As you can see from the photos Shawn has shared, he’s a very talented photographer. I’m very excited to see the photos Shawn shares in the future.

Head on over @bestoftheroll on Instagram and show Shawn some love.