30 Questions With Photographer Jamie Marcellus

Welcome back for another installment of the “30 Questions With Photographer…” series. For this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about.

The next photographer I’m featuring is a personal favorite. Whether they’re images from his morning run, or amazing portraits, they are instantly recognizable and stand out as unique.

He also is another photography from across the northern border that I’d love to meet in person some day. Hopefully the borders will open soon, as we continue to battle this awful pandemic.

I also want to send out a heartfelt apology to this photographer for taking so long to get this blog post up. He did his part months ago (I’m not exaggerating) and you should have been reading this much sooner than now. Sir, I apologize and thank you for your patience. When we meet up for a photowalk, the film is on me!

The next photographer I want to introduce you to is Jamie Marcellus.

Q: What is your name and where do you live?

A: Jamie Marcellus. Scarborough, Ontario, Canada.

Q: How can people contact you?

A: www.jsmarcellusphoto.com. @jsmarcellusphoto. I am on Flickr as well, FB, all the socials!

Q: If we’ve met, how do we know each other?

A: In true 2020 fashion, on Zoom, does that count?

Q: What is your earliest memory of taking a photography?

A: Over the past few years I would take photos during my morning run, mostly sunrises and such with my phone. I remember taking photos growing up, but basically started with film a little over 18 months ago, with a serious push over the last 10 months. Over a few months I have worked at exposing a ton of film, developing a consistent style and really studying some of the masters.

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: In 135 my go to is my slightly bruised black paint OM1 – my first film camera. Fitted with a 50mm/f1.4 can’t be beat. I have recently jumped headfirst into 4x5 – I was gifted a Cambo SC from a fellow photographer John M. My go to lens on it is a 10.5cm Tessar f3.5 shutterless barrel lens.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: I think one always lusts after Leica’s and such, but I have really put that aside as I am generally really happy with the handling of and the quality of photos I get from all of my current cameras. I guess now I am really looking at 8x10’s and maybe larger as I contemplate wet plate photography.

Q: Is there a camera you no longer have that you miss?

A: No, I have only been doing this for a short time, and haven’t really bought a pile of cameras.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I really enjoy portraits and landscapes. Portraits because I find you can really pull emotion out of the frame and build a story out of it. Landscapes because I hike and run and really enjoy the outdoors. I try to find that same soul in landscapes though certainly it is much tougher. Mostly I end up creating these sort of dream like pictures when it goes well.

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: I am 99% film.  I know with Adobe Lightroom and photoshop, you can pull film like qualities in digital but to me there is something special with creating something by hand.  I also print and quite like the pace of it.  Also, film allows for these happy accidents which is why I purposely am sloppy in the development process as well as rarely using a meter.  While I fail way more than when I succeed, when I do, it is magical.  The other part is magic.  When you develop film, the process is otherworldly.  You never quite know what you’ll get, and that is just really special.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: Back in the spring when I was really putting in the work to get better, I was going through 15-20 rolls a week.  While I have slowed a bit, I have made up for that in 4x5 sheets.  I probably expose a dozen or so sheets a week, with one or two printing sessions through in there.

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I mean portraits mostly require another person, so that counts right?

Q: What is your favorite black and white film right now and why?

A: In 4x5, I am really enjoying Fomapan 100. It has a nice tonal range and the with the lens I produce really soft dreamy images which I like. In 135 I have been very partial to Ilford hp5 usually at 800, though I forgot how great Tmax was when you nail it. The midtones are just wonderful. I also use Arista Ortho in both formats as it has natural happy accidents when you develop in exhausted paper developer.

Q: What is your favorite color film right now and why?

A: I rarely expose colour.  I think I made 3 rolls out of probably 300-400 rolls this year.  It never looks how I imagine it should and so I have just stopped trying. 

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: It is a wonderful creative outlet for me.  It’s a time to use my small brain in another way and there is something pleasing with making something by hand. 

Q: Best experience while taking photographs?

A: I think every time you take the film out of the developer/fixer and there is an image is pretty special. I still get excited every time.

Q: Most emotional experience while taking photographs?

A: I have been really fortunate to have a couple of photos selected for publication which is overwhelming as I still feel like a total beginner. But I am immensely humbled and grateful.

Q: Worst experience while taking photographs.

A: Maybe I am lucky, but don’t think I have had one.

Q: Tell me about something related to photography you want to learn.

A: I am really interested in wet plate. The aesthetic, the process and the weirdly magical accidents that will likely happen as I am not the most particular when it comes to measuring temperatures, chemicals etc. I take a lazy, haphazard approach, which I imagine will make wet plate even more interesting.

Q: Tell me about something NOT related to photography you want to learn.

A: I am pretty linearly obsessed. I am sure there are other things, but photography is all-consuming for me.

Q: What does your family/loved ones think/feel about your photography?

A: I think they recognize it brings me joy, and so they are at peace with it. And my kids, who are often my models, have reluctantly accepted it. They have each had a portrait or two published so I think that gives me street cred with them.

Q: What is the last photography related book you’ve acquired?

A: Sally Mann’s ‘A Thousand Crossings’ is probably the latest addition – I absolutely love her work, and it has a big influence on me and what I am looking to achieve.  I have also been looking at a ton of Julia Margaret Cameron books I got from our local library.  Her stuff is incredible, I am currently obsessing over her work.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: @jtinseoul who is a mentor who really worked with me this past spring – his work is wonderful and he has really great story telling. Another is @nicholasdominictalvola – he is an absolutely amazing artist. His printing is amazing.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have sold a few prints and also did some specific work for clients. I would absolutely do it again. The client work is stressful because you are really trying to please someone else. They probably select you because of your style, but it is still nerve-wracking as you want to ensure they see value in the work. This is different from my usual stuff as I make it for me and what pleases me. If someone is also happy with it and would like to purchase, that’s a bonus, but I generally find this more peaceful type of work. Though I would do both. My advice is make photos for you. If you do that, maybe the other stuff will follow.

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: I am working on a series called consuming nature – a series of self portraits and landscape/nature photos taken on my 4x5. I have made about 75 plates I am happy with, though I will continue to work on this over the next year to year and ½ and then cull the work. There is an odd accumulation that happens. You make a great (to you) photo, and then you have to make a better one to follow. And so the bar keeps getting raised where you are chasing this constant improvement. I wonder how it will be when I look back on those early plates and wonder if I will still love them.

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Not especially so. 

Q: Where is your favorite location to shoot (specific place or type of place)?

A: There is a large natural forest near us called Rouge National Park. I have literally run hundreds of miles through there and hiked just about as many but always find something new and interesting or changing as mother nature works in her wondrous ways.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Portraits – the same people, but with different light, emotion, feeling. It is part of the amazing thing about film – light is always a little different and the film reacts a little uniquely each time.

Q: Favorite thing about the photographic community?

A: Everyone is so welcoming – as a newbie starting out, people have been exceptionally patient with all the questions and the local community in Toronto has been really great – people are always gifting, trading or generally offering up film, gear and advice, its really amazing.

Q: What do you think the photographic community is missing?

A: Probably a really great place to share work.  FB, IG and other places are ok, but don’t really allow for the ability to study work and take it all in.  it’s a little too instant.  Some say the original Flickr was like this, but I wasn’t into photography then. 

Q: Biggest photography related pet peeve?

A: Its probably self-inflicted. Stupid things like not loading film properly, or dropping cameras and such.

Q: What do you hope your photographic legacy will be?

A: I’ve not really though of it. The photos are mostly for my own desire and opportunity to be creative. If someone can enjoy or make sense of it all, I guess that would be swell.

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: My grandfather. Unfortunately he passed away before I really started into photography, at least in any meaningful way. He was my father figure growing up, and taught me my love for the outdoors. I would love to have him sit for me and take a lovely long exposure portrait of his kind smile.

If you aren’t already familiar with Jamie’s work, I do hope this inspired you to visit the various social media outlets where Jamie share’s his work and give it a look. I am personally amazed by the emotion Jamie is able to capture in this photos. He is truly an inspiration to me.

30 Questions With Photographer Neil Piper

It’s time again for another installment of the “30 Questions With Photographer…” series. For this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about.

The next photographer I’m featuring is well known in the film photography community. He even has a film photography podcast.

While I’ve never met this person in real life, we connect frequently through social media, and I hope to be able to go shooting with him one day.

The next photographer I want to introduce you to is Neil Piper.

Accidental Self Portrait - Zero Image 2000 - Fuji Acros

Accidental Self Portrait - Zero Image 2000 - Fuji Acros

Q: What is your name and where do you live?

A: Neil Piper. Suffolk in the UK, pretty much as far east as you can get on the mainland.

Q: How can people contact you?

A: www.neilpiper.com. @neil_piper. My website and my Instagram are definitely the best places to contact me. I can also be found floating around the Negative Positives Facebook group. I have a podcast called Soot & Whitewash and anyone is welcome to contact me through that platform as well.

Q: If we’ve met, how do we know each other?

A: We’ve never met in person, but we chat a lot online and through messenger. I believe we first came into contact though the Negative Positives Facebook group and you’re now a valued member of my Project Box Camera, err, project.

Brimham Rocks - Bronica ETRS - HP5 - Cyanotype

Brimham Rocks - Bronica ETRS - HP5 - Cyanotype

Q: What is your earliest memory of taking a photography?

A: I can remember at an early age getting a ‘Mighty White’ branded 110 camera, you know one of those ones that came when you collected tokens from a product – in this case bread! The 110 cartridge was bigger than the camera and stuck out the side! I don’t think I ever had any film for it, but my brother and I used to pretend that we were taking photographs. Years later I tracked one of these cameras down on eBay and I keep it as a fond memory. Aside from that really no real memory of taking photographs other than on my phone until 2012 when I bought a digital compact camera to go travelling Europe with. That was incidentally the camera that introduced me to photography and this whole deep rabbit hole!

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Urgh…that’s tough, and really depends on what I’m doing…! SLR…? Olympus OM1. My Reality So Subtle 6X6F is a fantastic medium format pinhole camera, and I’ve just got in deep with my Speed Graphic for large format…! I’ve also just picked up a 1917 Vest Pocket Kodak 127 camera and I can see that being a lot of fun!

Reality So Subtle 6X6F - Fuji Acros

Reality So Subtle 6X6F - Fuji Acros

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: A Chroma large format camera. They look incredible, and the tech specs for the money is simply unbeatable. Their creator Steve Lloyd is an awesome chap and I have nothing but respect for him and his products, and someday soon I hope to be able to show my support for his business with a purchase or two.

Q: Is there a camera you no longer have that you miss?

A: Does my OM1 count? I don’t use it much because it's developing some issues. It really needs to be sent away for a service but, you know…cash and all that. I miss using that but actually cameras I’ve gotten rid of…? Who gets rid of cameras…?!

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I try and steer clear of ‘genres’ of photography. When pressed I call myself an ‘opportunist’ photographer. I will point my camera at anything that I find interesting – I’m not fussed if it’s a landscape or a person or a still life etc. I like to document life and history, so maybe I’ll accept the term documentary photographer…

Reality So Subtle 6X6F - Ilford FP4 - VanDijk Print

Reality So Subtle 6X6F - Ilford FP4 - VanDijk Print

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: I prefer film. Well that’s not entirely true. I prefer the whole process that I get when using a film camera. From loading the film, the tactile nature of using the actual camera, developing the negatives and then making a print in the darkroom. I use digital cameras at work and that’s where it remains, at work. I’ll shoot a lot on my phone as well but that’s mainly pictures of the family and locations that I would like to revisit and need to remember.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: Recently it’s down to maybe a roll and a couple of sheets a week.

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I like both. If I’m out with others I’ll often spend the time catching up and then shoot very little, but when I’m out on my own I find myself wishing I had others to talk to. I’m doing quite a bit of 4x5 at the moment and I find that that takes my full concentration, so probably best to be on my own otherwise I’d start wasting sheets by making silly mistakes…!

Speed Graphic - Ilford Delta 100 - Caffenol CH

Speed Graphic - Ilford Delta 100 - Caffenol CH

Q: What is your favorite black and white film right now and why?

A: Again, very tough question. When you initially asked this, I thought Ilford FP4. I love the grain structure, and I’ve had great results pushing it to a variety of speeds. It develops well in both Caffenol and Rodinal and they’re pretty much what I use exclusively. I am working quite a lot with sheets of Fomapan 400 though, and although not my favorite right now I can see that it's getting close! I have also gone deep at the moment for 35mm with Kentmere 400. It’s a wonderfully versatile film and I’ve had great results shooting it at box speed, ISO100 and 200 and with both yellow and red filters. For the money you really cat go wrong. It’s part of Ilford's budget range but I honestly prefer it to some of their more premium products.

Marsh House - Kentmere 400 - Vest Pocket Kodak

Marsh House - Kentmere 400 - Vest Pocket Kodak

Q: What is your favorite color film right now and why?

A: I don’t really tend to shoot colour. I do like what others do with the range of Kodak Portra films though. I have a couple of rolls of Lomography Metropolis sitting in the fridge that I’m actually looking forward to trying after seeing other people’s results. Maybe once the world gets back to some sense of normality I can go out and shoot some street work with it. That’s the plan anyway.

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: …I find it the best way for me to document my life, and I love using cameras – regardless of the resulting images that come out of them.

Q: Best experience while taking photographs?

A: Back in March I took a day to travel up to Yorkshire in the UK to make some work. It was just before the COVID-19 lockdown had been imposed but an event to be attended my many film photographer friends had already been cancelled and for my own mental wellbeing I needed to get out and make some work. I had a wonderful day using several cameras and films and not having to worry about anything else that was going on. I recorded my thoughts that day and it became episode 49 of Soot & Whitewash. I made many images that I love that day and am currently still working through printing them in the darkroom.

Q: Most emotional experience while taking photographs?

A: I’m not sure I’ve had a really emotional experience whilst actually taking photographs, that tends to come when I print them later. My Nan passed away recently and when printing some shots of her at her 90th birthday party a few years back, in the darkroom I got quite emotional thinking about her and how my mum would react when seeing these photographs.

Q: Worst experience while taking photographs.

A: An unpublished, possibly unfinished project that I loosely titled ‘Never Meet Your Heroes.’ A few years back I took two days away to visit an area of the UK that I have very fond childhood memories of. The beach, wonderful golden sand, sun and tourist shops, you know the stuff. Seaside holiday town. I visited and it was raining. Proper sideways rain at that. The town was geographically how I remembered but everything was grey and wet. Some of the shops I’d remembered were long gone. I visited the site of where we stayed as a family and it was precisely how I remembered. It was a static caravan in private field. I made the mistake of driving the car up to it so I could make a photograph or two, with the intention of driving off before my small bit of harmless trespassing was noticed. My car got stuck in the field. I chewed up the grass with the car, got freezing cold and soaking wet before admitting defeat and having to go and ask for help. I knocked on the door of the house and it was the same lady, the lady I remember as a kid. I explained to her what had happened and how sorry I was. She told me that she would love to help but it was the day of her husband’s funeral and everybody was otherwise occupied. Probably one of the worst experiences of my life, photography related or otherwise.

Speed Graphic.png

Q: Tell me about something related to photography you want to learn.

A: Printing. I currently print silver gelatin but my practice needs a lot of work, and I would like to try some more alt process printing. Also, I’d like to get deeper into mechanical camera repair and building.

Q: Tell me about something NOT related to photography you want to learn.

A: I’m currently trying to learn to draw. It’s not going great to be honest…!

Q: What does your family/loved ones think/feel about your photography?

A: They are all very used to it and understand that I need to do it. The kids think nothing of the fact that daddy nearly always has a camera in his hand! My wife is the single most understanding person in the world.

Linton Falls - Speed Graphic - Foma 400 - Cyanotype

Linton Falls - Speed Graphic - Foma 400 - Cyanotype

Q: What is the last photography related book you’ve acquired?

A: It was either ‘The History of Photography in 50 Cameras’ or a large stack of old Pinhole Journals. The 50 cameras book is amazing, and id thoroughly recommend it to anybody with an interest in photography and/or cameras. It’s the first book in a long while that I’ve read cover to cover and was genuinely sad that I finished!

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: Without even having to look at my phone the answer conspiracy.of.cartographers. Eric is a fantastic photographer and a wonderful person. Probably one of the first people that I made contact within the community and am proud to call him a friend. He has an aesthetic within his work that I believe is unique to him. His work is quite often of historical sites in America, and the effort he goes to understand the importance of these sites is second to none. I have massive respect for you Eric if you ever happen to read this…

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have had a couple of gallery showings and have sold photographs and small alt-process prints, and for sure I’d do it again. Advice? Don’t sell yourself short when it comes to pricing your work, and don’t take it personally if there’s not a mad rush to buy your work. The right people will come along and see the time and effort gone into something and appreciate it.

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: I have an ongoing project documenting a long removed narrow-gauge railway line that passed through the countryside very local to me. It started out being made in pinhole and being printed as Vandyke prints, but I have recently returned to it and am making images now with a range of cameras. My Vest Pocket Kodak is of the correct era and I would like to make some related work with that. The existing images can be found on my website.

Southwold To Halesworth 1 - Holga 120N - Ilford FP4

Southwold To Halesworth 1 - Holga 120N - Ilford FP4

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: If I’m honest not really, other than the getting the garden together in the house we moved into last year!

Q: Where is your favorite location to shoot (specific place or type of place)?

A: For sure the route of the Southwold to Halesworth narrow gauge railway line, mentioned a few questions ago.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Err..again, the railway line route!

That Shed - ONDU 6x12 Multiformat - Delta 400 - Cyanotype

That Shed - ONDU 6x12 Multiformat - Delta 400 - Cyanotype

Q: Favorite thing about the photographic community?

A: The sheer generosity of the people that populate it. Whether it’s a loaner of a piece of gear before you buy it, some information about something you’ve been struggling with, the podcasts that have spawned out of it and the friendships that have formed out of this fantastic group of people who share a common interest.

Q: What do you think the photographic community is missing?

A: A more accepting attitude to the fact that some people shoot digital, some people shoot film. Some people like this, some people like that. As far as photography as a hobby, photography is photography and people can do with it whatever the hell they want to do. There’s always that few bunch of dicks that insist that their way of doing things is the correct and therefore the only way of doing things. I don’t have time for those people and the hell hole forums and groups that they hang out in.

Q: Biggest photography related pet peeve?

A: Instagram likes and users chasing higher and higher numbers of followers.

Q: What do you hope your photographic legacy will be?

A: Some interesting work that doesn’t immediately end up in the bin the moment my stuff gets gone through! Although for that to stand a chance of happening I should really organize my negatives and prints better!

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: I would like to bring Henry Fox-Talbot to the present day, show him how photography has changed through the years, show him that the early processes of photography that he had a major part in defining are still used and photograph him in front of his famous window at Laycock Abbey with a 4x5 Chroma camera – a fitting example of a camera that embraces historic technology but with 21st century materials.

I think you’ll agree that Neil is an amazing photographer. I’ve always enjoyed his photography and viewing it always inspires me to pick up my camera and go shoot. To see more of Neil’s work, be sure to visit his website or Instagram. Also, be sure to give his podcast a listen. When I do, it always feels more like I’m sitting down and having a conversation with an old friend.

30 Questions With Photographer Jess Hobbs

Welcome back for another installment of the “30 Questions With Photographer…” series. For this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about.

The next photographer I’m featuring has been on many of the film photography social media hot spots lately, and for good reason. I first learned of this next photographer when she was a guest on the Negatives Positives Film Photography Podcast. Her energetic personality made me an instant fan. Upon seeing her work on Instagram and YouTube, I knew she’d be a photographer I’d look to for inspiration. Her honest and intimate approach to her craft is as admirable as the results she produces. She truly is a talented photographer.

I’ve never met this photographer person, but I hope to someday. If (when) the world has conquered Covid-19 and it’s safe to travel, I’d love to cross the border into Canada and go on a photowalk with her. I’m sure my photography would improve because of it.

The next photographer I want to introduce you to is Jess Hobbs.

Self-portrait:  Taken on a K1000 and the new Ektachrome, not sure what developer was used because it was done by the lab.

Self-portrait:  Taken on a K1000 and the new Ektachrome, not sure what developer was used because it was done by the lab.

Q: What is your name and where do you live?

A: Jess Hobbs. I live in Quebec, Canada, a.k.a. The Land of Maple Syrup and Poutine (just don’t mix the two together!).

Q: How can people contact you?

A: I’m on Instagram as @jesshobbsphoto. I can also be found on YouTube at youtube.com/jesshobbs.

Q: If we’ve met, how do we know each other?

A: We haven’t met in person, but anyone who builds a tent on the top of their Jeep is someone I want to know!

Q: What is your earliest memory of taking a photography?

A: My parents gave me my first camera for my 9th birthday (a little Vivitar point-and-shoot), and the very first picture I took on it was of “The Addams Family” playing on tv… not my best work, I must say!

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Ooof, this is a toughie. Probably my Mamiya RB67 (her name is Roberta), but I also love my Yashica-Mat 124g… and my Canon F-1… and my Olympus OM-1… oh, and I can’t forget my SX-70 Model 1! And my Olympus 35RC! See, this one’s too hard!

Mamiya RB67:  This is the only shot I have of my RB67, but it’s definitely my favourite camera, especially now that I have the Rezivot back for Polaroids!  I used it as a promotional shot for an Emulsive article, I hope it’s still okay for…

Mamiya RB67:  This is the only shot I have of my RB67, but it’s definitely my favourite camera, especially now that I have the Rezivot back for Polaroids!  I used it as a promotional shot for an Emulsive article, I hope it’s still okay for this interview!  Taken on a Sony a7iii.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: There are a few cameras that I would like to own, a Leica M3 double-stroke probably tops that list. A Rolleiflex 2.8C would be a wonderful addition as well, but I’d really like to get into large format, so I think my next purchase will most likely be an Intrepid 4x5.

Q: Is there a camera you no longer have that you miss?

A: No, but that’s because I keep every camera I buy.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I’m mostly a woodland/landscape/nature photographer, although I’ve recently discovered a love for rural and small-town scenes. I’m a big believer in trying to preserve what we have while we can for the future generations to enjoy, and to photograph the scenes I love before they are inevitably destroyed, as a record of what once was. And every now and then I can be found at festival or two!

Silos at sunset: Yashica-Mat 124g, Lomochrome Purple, lab developed.  These are the neighbor’s silos that I just can’t seem to get enough of!

Silos at sunset: Yashica-Mat 124g, Lomochrome Purple, lab developed.  These are the neighbor’s silos that I just can’t seem to get enough of!

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: Film all the way. Everything about it is so magical to me, from creating images, to developing the film, to watching prints come to life in the darkroom. I just don’t have that same connection with digital cameras. For me, shooting digital is strictly just to get in there and get the job done, whereas I feel more creative when I shoot film and the images are extensions of who I am.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: Lately, not as much as I would like to, although my motivation is starting to pick up again! When I’m not in a slump, I can easily run through a few rolls a week. I recently picked up a Rezivot conversion kit to shoot Polaroids on my RB67, and I am already blown away with the results I am getting, so I’ll be running through a bunch of boxes in the near future!

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: It really depends on my mood/project. Usually I’ll only shoot with one other person at a time (mostly with my awesome other half Jody!), but I have had projects in the past when I have preferred to shoot alone. I’m someone who is easily distracted, so sometimes it’s good to force myself to concentrate and work on my own.

Q: What is your favorite black and white film right now and why?

A: Ilford HP5+, it is such a beautiful and versatile film. But winter is coming up, so it’ll soon be a toss-up between Ilford Ortho Plus and Ferrania P30 (especially if the latter comes out in 120), both work exceptionally well in our snowy Canadian winters.

Foggy morning:  Yashica-Mat 124g, Ilford HP5+, dev’d in HC-110 Dil. H.  I’m rarely ready with film loaded when a thick fog rolls in, but that morning I was prepared.  I just love fog, and want to keep photographing it.

Foggy morning:  Yashica-Mat 124g, Ilford HP5+, dev’d in HC-110 Dil. H.  I’m rarely ready with film loaded when a thick fog rolls in, but that morning I was prepared.  I just love fog, and want to keep photographing it.

Q: What is your favorite color film right now and why?

A: Probably Kodak Ektar 100 in 120, the colours are pleasantly punchy and it has such low grain. My absolute favourite was Agfa Vista 400, until it was discontinued, I could do just about anything with that film!

Three maples: Yashica-Mat 124g, Kodak Ektar 100, lab developed. I just love photographing trees!

Three maples: Yashica-Mat 124g, Kodak Ektar 100, lab developed. I just love photographing trees!

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: I feel connected to the world around me in a way that I don’t when I’m not holding a camera, and I love being able to share the way I see the world with others. I’ve never felt such a strong sense of community as I do with the worldwide film community, photography has really given me the opportunity to come out of my shell and meet people to share my work with in ways that wouldn’t be available to me without it.

Q: Best experience while taking photographs?

A: Not directly related to taking photos, but being interviewed three times in one year on our local news stations was really fun!  I was working on a year-long project where I photographed at as many festivals as I could in the city of Montreal (grand total = 225!), and my story got picked up by the networks.  One of those times I was actually at an indie music festival, so there I was with flowers in my hair on the news… I was so nervous, but it was a great experience, and I think it’s part of what led me to start up my YouTube channel!

Q: Most emotional experience while taking photographs?

A: One night I was shooting at an underground outdoor punk festival, and there was literally one lonely tungsten light bulb at the edge of the stage to light up the whole place, it was so dark except right by the stage. I grabbed the best spot and decided to photograph the people in the pit. One guy saw me and he got right into position, holding a wine bottle in his left hand and he gave such an expression of raw emotion that it ended up being the best shot of the night. Right after, he gave me a huge smile and a thumbs up, which I reciprocated. I was pretty pumped after that!

Fattal Fest:  Canon F-1, Agfa Vista 400 pushed to 1600, again lab developed.  I chose this one because it’s the shot that I described as my most emotional moment.

Fattal Fest:  Canon F-1, Agfa Vista 400 pushed to 1600, again lab developed.  I chose this one because it’s the shot that I described as my most emotional moment.

Q: Worst experience while taking photographs.

A: Getting yelled at by a stranger in the streets was a tough one to shake off. To this day, I’m still not completely comfortable shooting in the streets. Interestingly, both my worst and most emotional moments happened on the same day, literally just hours from each other.

Q: Tell me about something related to photography you want to learn.

A: I really want to learn how to properly light a scene.  I don’t do any studio work, but I’d like to be able to if I ever need/want to.  And I would like to learn how to do wet plate collodion and cyanotype prints.  Oh, and emulsion lifts from Polaroids!

Q: Tell me about something NOT related to photography you want to learn.

A: I’m a very curious person, and my interests tend to jump around a lot.  At the moment, I’d like to learn how to cross-stitch and play ukulele, but I also love collecting rocks, so I’d like to learn more about geology.  And I love to cook, so I’d like to start tackling more complicated recipes.

Q: What does your family/loved ones think/feel about your photography?

A: My family are very supportive of me, even if they don’t always understand what makes me tick. Jody is both my biggest fan and my biggest critic, which is great because not only does he enable me to run amok, but he also helps bring me down to earth every once in a while! Honestly, I owe a lot of my work to Jody being there for me, even if he won’t give himself the credit, because I don’t know if I would be brave enough to put myself out there without his encouragement… it’s a very scary world out there, especially reading through Reddit comment sections!

Pinhole Self-portrait: Unnamed pinhole made out of walnut by some guy in London, Ontario (!), Ilford HP5+, dev’d in HC-110 Dil. H.  This was one of my favourite shots from my very first ever pinhole roll.

Pinhole Self-portrait: Unnamed pinhole made out of walnut by some guy in London, Ontario (!), Ilford HP5+, dev’d in HC-110 Dil. H.  This was one of my favourite shots from my very first ever pinhole roll.

Q: What is the last photography related book you’ve acquired?

A: I just found a copy of Ansel Adams’ “Examples – 40 Photographs” at a thrift shop, so I was pretty thrilled about that!

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: I find so much of my inspiration on Instagram, there is some really fantastic photography out there! It’s really hard for me to pick only one favourite, but I love Roxanna Angles’ page @roxannalog. Her Lomochrome Purple and Polaroid work is just wonderful, I could get lost in those dreamy California landscapes all day!

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have sold some photographs, mostly for album covers… there’s something so special about seeing your work on the cover of a record or cd! My only successful print sale was a fundraiser I did to help Timothy Ditzler (from the Analog Talk podcast) pay for unexpected medical expenses, and I am so grateful to everyone who purchased a print for a worthy cause. I would definitely sell my work again, but it’s something that takes patience and perseverance. It’s very scary to put yourself out there, especially at the beginning, and if your first sale isn’t a complete success, don’t give up on yourself! Do take the time to shoot with purpose, to create work that means something to you. Don’t get caught up in what’s trending, what gets more likes and thumbs-ups, those things fade with time. But if you put your heart 100% into your work, people will connect with that, and then you never know what will happen in the future!

Silo #5 - Old Port, Montreal:  Canon F-1, Ferrania P30 Alpha, dev’d in X-Tol 1+1 dilution.  This is a historic site in the Old Port, and one that might not last… there are developers interested in turning this into condos and a shopping ce…

Silo #5 - Old Port, Montreal:  Canon F-1, Ferrania P30 Alpha, dev’d in X-Tol 1+1 dilution.  This is a historic site in the Old Port, and one that might not last… there are developers interested in turning this into condos and a shopping centre.  This is my favourite place to shoot in Montreal.

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: I’m not working on anything specific at the moment, except for filming videos for my YouTube channel, but I am hoping to pull together a zine over the winter. I also have an embarrassing amount of backlog to deal with, so soon I’ll be busy with developing, scanning, and organizing negatives!

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: At the moment I’m still rushing to get the last of our harvests in on the farm before winter sets in, so that’s pretty much taking up whatever time I’m not spending filming.  Jody and I always have new ideas and projects going on related to the farm, but that’s technically considered our “9-5” so I’m not sure that counts.  Let’s just say I’m really looking forward to seeing snow falling so that I can concentrate on other things!

Q: Where is your favorite location to shoot (specific place or type of place)?

A: On our farm of 200 acres, about 150 acres is forest, and that is my favourite place to shoot.  I do love to travel around, but whenever I’m sad, or have something to work out in my head, or I’m just craving a walk in the woods, that’s where I go, regardless of the season.

Old sugar maple: Mamiya RB67, Ilford Delta 100, dev’d in HC-110 Dil. B.  This is one of my favourite trees on the farm, I always seek it out every time I walk in the woods.

Old sugar maple: Mamiya RB67, Ilford Delta 100, dev’d in HC-110 Dil. B.  This is one of my favourite trees on the farm, I always seek it out every time I walk in the woods.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Trees. I have a few favourites scattered around the farm, so I visit them often. I’m also obsessed with our neighbour’s silos, especially at sunset. I’m a big fan of returning to my scenes, I like to keep working them until I’m completely satisfied.

Q: Favorite thing about the photographic community?

A: I love how encouraging and inclusive it can be, especially through some of the awesome Facebook groups. Anytime I have had a question, or even just wanted to share some work, I’ve gotten lots of great feedback and support.

Q: What do you think the photographic community is missing?

A: From a local perspective, I sometimes find the community isn’t always cohesive… depending on where you live, it can sometimes feel very clique-y, like you need to know the right people to fit in. I’ve found the online community is much more open-minded and inclusive, even if I run in to a few “armchair experts” every now and then!

Star trails: Mamiya RB67 with Rezivot back, Polaroid Color 600.  This shot was a bit of a big deal for me, I am still amazed that I can now shoot star trails on Polaroid film!

Star trails: Mamiya RB67 with Rezivot back, Polaroid Color 600.  This shot was a bit of a big deal for me, I am still amazed that I can now shoot star trails on Polaroid film!

Q: Biggest photography related pet peeve?

A: Honestly, my biggest pet peeve is the constant running debate between film and digital photography. I mean, it’s 2020, are we really not past this yet?! To me, a great photograph is a great photograph regardless of what camera it was taken on, or what process was used. Of course I’m a huge advocate of film photography, I will continue to shoot film until I can’t anymore, but I’m not going to crap on someone else’s work just because they used a digital camera (or even their phone).

Q: What do you hope your photographic legacy will be?

A: This question really has me stumped; I’ve never put much thought into the concept.  I always strive to create images that bring me joy, that bring me back to that moment every time I look at them, and I try to inject as much enthusiasm as I can into my work. I do my best to answer anyone’s questions, especially if they’re a newbie, even if the question has already been asked ten times.  I hope that I inspire people to get out there and do what they love, but I think that overall I would love to be remembered as a caring, empathetic, and friendly soul more than to be remembered for my photographs.  I really do try to embody the hashtag “shoot film be nice” because it is so much more fun to be nice than it is to be an asshole!

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: I don’t really shoot portraits, I don’t have a knack for making people feel comfortable in front of a lens, but I have been trying to make more of an effort to photograph my family and friends. If I could though, I would absolutely love to have an afternoon with either Ansel Adams or Mary Ellen Mark… it would be fantastic to just sit and chat and pick at their brains for a day, maybe even get a few tips on how to take portraits of people!

Hunter’s cabin:  Mamiya RB67, Ilford Ortho Plus, dev’d in X-Tol 1+1 dilution.  This little shack is just down the road from my farm, and I’ve always loved that it has a big beautiful tree right beside it, such a picturesque country scene.

Hunter’s cabin:  Mamiya RB67, Ilford Ortho Plus, dev’d in X-Tol 1+1 dilution.  This little shack is just down the road from my farm, and I’ve always loved that it has a big beautiful tree right beside it, such a picturesque country scene.

As you can see from the photos Jess has shared, she’s a very talented photographer. I’m very excited to see the photos and videos Jess shares in the future.

If you weren’t familiar with Jess’s work before reading this blog post, I hope you’ll visit her on Instagram and YouTube to see her other works. You can see her work at on Instagram at @jesshobbsphoto or on her YouTube channel at https://www.youtube.com/jesshobbs.

30 Questions With Photographer Vania Francesca Zask

It’s early November 2020. That seems crazy to me. It also seems crazy to me that it’s been over 6 months since I’ve shared an interview with my favorite photographers. So you know what that means! That means it’s time for another “30 Questions With Photographer…” blog post!

If you remember, for this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about. The next installment of my “30 Questions With Photographer…” project is one you’re sure to enjoy.

I was first introduced to this photographer through the world of podcasting; not because she was featured on the podcast, but because she’s a cohost of the podcast. After (actually, WHILE) listening to the first podcast, I went to her Instagram page to view her work. Wow! I was completely blown away! And by the end of the interview, I’m sure you will be too.

I’ve never met this photographer person, but I hope to someday. She’s as crazy about old cameras as I am. In fact, I can honestly say she’s responsible for inspiring me to make some of the camera purchases I’ve made. Talking gear is dangerous, let me tell you!

The next photographer I want to introduce you to is Vania Francesca Zask.

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Q: What is your name and where do you live?

A: My name is Vania Francesca Zask and I live in the south bay of Los Angeles.

Q: How can people contact you?

A: People can contact me or see my work on Flickr (https://www.flickr.com/photos/vaniafrancesca/) or on Instagram at @surfmartian or @allthroughalens.podcast.

Q: If we’ve met, how do we know each other?

A: We have interacted on Instagram.

Q: What is your earliest memory of taking a photography?

A: A disposable camera when I was maybe 9 or 10. I remember savoring each shot.

Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: This changes all the time. I think my favorite is what I am shooting at the moment. If it's new to me, figuring out the functions and seeing the results is really satisfying. Right now It's a Graflex Series B 2x3. The glass is bonkers! So crisp! The mechanisms to the camera seem overly complicated but are very simple to sue. I like the chart and the way you adjust the shutter speed with tension to the curtain.

Cinestill 800T, Mamiya RB67, C-41

Cinestill 800T, Mamiya RB67, C-41

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: Not a camera but a water housing for any medium format camera. I enjoy shooting film in the ocean. That's kind of my favorite subject, so being able to bring a larger format in the water would be a dream.

Q: Is there a camera you no longer have that you miss?

A: I have not. I think at some point I will probably sell or trade some if I don't use them. I have a small hope my daughter will want to use them at some point.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I prefer the water landscapes of fast moving waves that resemble canyons and mountain peaks. You have to be quick about it because things are constantly changing. It keeps me thinking, inspires me, and feels different on any given day. The interesting thing about now shooting more landscapes on land is that I have incorporated things I do in the water, such as shooting really low. When you are swimming your head is the only thing above water so your perspective is low, and you get a really nice foreground. I didn't even realize I was doing this; it just felt natural to shoot landscapes like this too.

Kodak Ektachrome 2253, Cross Processed C-41

Kodak Ektachrome 2253, Cross Processed C-41

Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: Film always. I need a number to fall back on… 26, 12, 36 exposures, it keeps me mindful and careful with each image I take.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: I shoot a few times a week; almost every day.

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: I don't mind shooting with other people. It's neat to see how other people approach photography. I do prefer alone. It takes a long time when I'm on land to take a photo and now that I have been shooting 4x5 it's much longer.

Ilford HP5+, Graflex Pacemaker Crown Graphic, Rodinal 1+25

Ilford HP5+, Graflex Pacemaker Crown Graphic, Rodinal 1+25

Q: What is your favorite black and white film right now and why?

A: Ultrafine Xtreme 400. It’s fine grain, has great tones, range, it looks good pushed and it's affordable.

Q: What is your favorite color film right now and why?

A: Cross-processed Kodak Ektachrome 100.

Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: Every moment in our lives is distinctive. We have this moment to be alive and I want to see and experience it all.

Kodak Ektar 100, Voigtlander, C-41

Kodak Ektar 100, Voigtlander, C-41

Q: Best experience while taking photographs?

A: Probably seeing a friend get a good wave or get totally pitted.

Q: Most emotional experience while taking photographs?

A: I took a photo of a 6 year old girl with her moms permission she was holding up a sign that she made. It said “Don't let guns shoot kibs [sic]”. I cried when I scanned it.

Kodak Tri-X 400, Mamiya RB67

Kodak Tri-X 400, Mamiya RB67

Q: Worst experience while taking photographs.

A: Maybe just losing a roll from bad chemicals. I try to be safe and smart when I'm out. If I feel uncomfortable, I leave.

Q: Tell me about something related to photography you want to learn.

A: Tintypes!

Q: Tell me about something NOT related to photography you want to learn.

A: Carpentry.

Q: What does your family/loved ones think/feel about your photography?

A: Supportive and I feel very thankful for that.

Nikonos V, Kodak Ektar 100, Cross Processed C-41

Nikonos V, Kodak Ektar 100, Cross Processed C-41

Q: What is the last photography related book you’ve acquired?

A: Sergio Larrain, Valparaiso. My mother grew up down the road in Algarrobo, Chile. I was lucky enough to visit the family home before they sold it a few years back. My favorite day  trip was Valparaiso. Larrain captures this artistic city in such a unique way. His perspective is incredible. He was shooting from the hip a lot and created layers in his images that are just timeless.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: @conspiracy.of.cartographers of course. Eric is so thoughtful and detailed. I feel lucky to do the All Through a Lens podcast with him. He is fun to collaborate with.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have done a few art shows with little luck on selling, but the experience was great. I think my favorite way to share art is through zines. It's a great way to share your work with others without the high price tag, which helps ease the anxiety of putting yourself out there. I think if you take pictures, whether it's film or digital, printing your work and making it a tangible piece of art makes it real. All those rolls of film are compiled into a body of work. I highly recommend everyone to make a zine.

Rollei Retro 400S, Mamiya RB67, Yellow Filter, X-Tol

Rollei Retro 400S, Mamiya RB67, Yellow Filter, X-Tol

Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: 6x7 zine with @conspiracy.of.cartographers is almost done. It's all photos we have taken with our Mamiya RB67s. I am also converting a very interesting space into a darkroom. And I do a weekly podcast about film photography called All Through a Lens (https://podcasts.apple.com/us/podcast/all-through-a-lens-a-podcast-about-film-photography/id1479924013).

(*Note from Sam: I own this zine and it’s incredible!!)

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Raising my daughter Marley. She is the light of my life.

Q: Where is your favorite location to shoot (specific place or type of place)?

A: The Pacific Ocean or near it.

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Surfers.

Nikonos V, Kodak Gold, C-41

Nikonos V, Kodak Gold, C-41

Q: Favorite thing about the photographic community?

A: It’s helpful and supportive. Everyone has been so kind. I have met some great people. It's great to feel like I am a part of it.

Q: What do you think the photographic community is missing?

A: Maybe a better platform to share. Instagram is great but I know that seeing photos in this format doesn't compare to the original negatives.

Q: Biggest photography related pet peeve?

A: The “well, actually”s.

Q: What do you hope your photographic legacy will be?

A: I guess it would be neat to make a book.

Fuji 800 Disposable Water Camera

Fuji 800 Disposable Water Camera

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: My Nona Maria was this tiny little Italian lady. I spent a long summer with her in La Spezia as a kid. She spoke only Italian and Spanish, so I had to really figure it out. I have this vivid memory of her. She asked me what I wanted to eat, and I said lasagna, so she spent all day making it for me: laying out the noodles on a small dining table with the sun beaming on them from a window while classical music echoed into the room from a nearby apartment.

 The moment and detail was incredible. I wish I could have pictures from that day. She was always smiling, even with a life of loss of her youngest son and her husband. She was the epitome of love and kindness and I am forever grateful to everything she had done for me.

Nikonos III, Tasma Mikrat 300, HC-110

Nikonos III, Tasma Mikrat 300, HC-110

As you can see from the photos Vania has shared, she’s a very talented photographer. I’m very excited to see the photos Vania shares in the future.

If you’ve never viewed Vania’s other works, you really owe it to yourself to give it a look. You can see her work at on Instagram at @surfmartian. And I encourage you to check out the All Through a Lens podcast. It’s one of the most enjoyable, informative, and entertaining photography podcasts out there. It definitely won’t be time wasted.

30 Questions With Photographer Adrian Vila

Hi everyone! Thanks for stopping by! It’s time for another “30 Questions With Photographer…” blog post. If you remember, for this project, I ask photographers to answer 30 questions about themselves and their photography. I also ask them to share some of their work. The goal of this project is to spread the word on photographers who have impacted my photographic journey; photographers I think you need to know about. The next installment of my “30 Questions With Photographer…” project is a very special one, as he’s one of my all time favorite photographers.

I came across this next photographer on Instagram a few years ago when I decided I wanted to devote some serious time to photography and was looking for inspiration. The photo he had recently posted stopped my scroll in its tracks. I immediately went to his page. I had to see more. I was really hoping his Instagram feed was filled with more quality photos. I would not be disappointed. Photo after photo was exactly the type of work I hoped to produce. All of the photos were black and white, beautifully composed, and full of feeling and emotion.

I’ve never met this photographer person, but I hope to someday. I’ve reached out to him on multiple occasions via Instagram and email for advice on how to get a certain shot, or for some information on how he gets the fantastic shots he gets. He’s always been extremely eager to answer any of my questions and has been ever so humble and kind; just a great human being, and the kind of photographer the photo community needs more of.

The next photographer I want to introduce you to is Adrian Vila.

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Q: What is your name and where do you live?

A: My name is Adrian. A third of the year in Galicia, in NW Spain; another third in Northern Indiana, USA; traveling the rest of the time.

Q: How can people contact you?

A: https://aows.co. My YouTube channel: https://www.youtube.com/aowsphotos.

Q: If we’ve met, how do we know each other?

A: We haven’t.

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Q: What is your earliest memory of taking a photography?

A: Even though I’m sure my dad let me use his Konica at some point when I was a little kid, my earliest memory is from when I was 18. One of the first things I did when I moved out of my parents’ house and went to college was to buy a 2-megapixel HP camera. I do remember that first day trying it out.

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Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Without a doubt, my Bronica SQ-Ai. I really enjoy shooting with that camera, and it’d be my only one if it weren’t for the size and the cost. I also like my little Sony RX100s because I can bring them with me anywhere.

Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: I always wanted a Hasselblad, but not anymore. The Bronica has filled that void.

Q: Is there a camera you no longer have that you miss?

A: No.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: I can get joy from photographing almost anything. But when I enjoy photography the most is when I put myself in situations and places that push me beyond my comfort zone: ideally a remote spot in nature with a bit of bad weather, away from everyone else.

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Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: It depends on where I am. If I’m photographing the night sky from my backyard, the big, heavy Bronica will be my choice. If I’m hiking in the mountains, a digital compact camera. Whatever camera lets you create what you want without getting in the way.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: I take photos every day. When I was shooting medium format film exclusively, that amounted to some 250 rolls a year. Now, I shoot hundreds of pictures a week (I delete most of them).

Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: Alone. I need to fully experience the place and the moment to capture it. I can take a few photos here and there if I’m in a group, but I rarely press the shutter if I’m engaged in a conversation, even while hiking.

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Q: What is your favorite black and white film right now and why?

A: I got started in film photography with HP5+ because it was supposed to be more “forgiving”, better suited to a beginner. Even though I’ve tried many others, I always come back to Ilford’s. I’m comfortable with it, I know what to expect, and I also like the look when I push it (I always push it 1-3 stops).

Q: What is your favorite color film right now and why?

A: Color? What’s that?

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Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: …because photography makes me feel alive.

Q: Best experience while taking photographs?

A: So many! Most of them in the wilderness: a sunrise in the Alabama Hills, from the top of a volcano in Oregon, a blizzard in South Dakota, a frozen beach at Lake Michigan, waking up at 8,000 feet elevation in the Picos de Europa in Spain… Not all of them resulted in great photographs, but those are experiences I get to keep forever.

Q: Most emotional experience while taking photographs?

A: Hard to choose just one, but I’d say doing the Camino last December. For me, it was a photography pilgrimage, as I wanted to document a part of my homeland I hadn’t experienced before. The images weren’t good, but walking 130 miles in 6 days, fighting snowstorms, strongs winds and tons of rain, all of this while carrying 25 pounds of gear and clothes... definitely made the experience something unforgettable.

Q: Worst experience while taking photographs.

A: The times I got yelled at while doing some street photography. The funny thing is, I wasn’t even photographing those people, but something else. This is probably why I love photographing trees and mountains, I can stare at them for as long as I want and they don’t mind.

Q: Tell me about something related to photography you want to learn.

A: Digital negatives. I’ve played a bit with them but I still have a lot to learn. I feel like it’s a great way to create unique prints from digital photos.

Q: Tell me about something NOT related to photography you want to learn.

A: A new language. Not sure which one, though.

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Q: What does your family/loved ones think/feel about your photography?

A: My wife has been my biggest fan and supporter. I wouldn’t be here calling myself a photographer if it wasn’t for her. My family and friends were (some still are) more skeptical.

Q: What is the last photography related book you’ve acquired?

A: Genesis, by Sebastião Salgado. Loved it.

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Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: I don’t use Instagram as much these days. I schedule my posts, and only open the app to reply to messages. Back in the day, I loved the work of many photographers, there’s so much talent out there. But if I had to choose one, and just one, I think it’d be @itsreuben (Reuben Wu). His work is so unique and beautiful that I’m always in awe.

Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I do sell some prints on my website. For those who want to do the same, my advice is simple: don’t expect anything, and just do it.

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Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: Photography books. I just finished one (called “Becoming an American”), and I’m working on another one to be released soon (not sure about the title yet). I had been putting them off for too long.

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: Myself. I’ve been reading a lot to educate myself in a wide variety of topics, and I’ve been working out and eating better to be a healthier and more active person.

Q: Where is your favorite location to shoot (specific place or type of place)?

A: Anywhere on a foggy day.

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Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Mountains. I lose track of time when I photograph mountains, they make me love this world.

Q: Favorite thing about the photographic community?

A: The work. There are so many amazing photographers out there, it’s hard not to get inspired by them.

Q: What do you think the photographic community is missing?

A: Probably a better platform than Instagram to share work, ideas and whatnot

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Q: Biggest photography related pet peeve?

A: I talk about 10 of them in my latest ebook, but if I had to choose just one, it’d be “it’s already been done by X photographer”. Nonsense.

Q: What do you hope your photographic legacy will be?

A: A few prints and books here and there, but above all, a message of encouragement for anyone to pick up a camera, get out and create something amazing.

Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: Not a person, but a place. I’d love to photograph Mars: a desolate, incredibly beautiful, alien but also familiar, extremely remote landscape, all for myself.

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As you can see from the photos Adrian has shared, he’s a very talented photographer. I’m very excited to see the photos Adrian shares in the future.

If you’ve never viewed Adrian’s other works, you really owe it to yourself to give it a look. I definitely won’t be time wasted. You can see his work at on Instagram at @AOWS, on his website at https://aows.co/, or on his YouTube channel at https://www.youtube.com/aowsphotos. I’ve inserted a link to one of my favorite videos below.

30 Questions With Photographer Jess Lantz

I’ve really enjoyed this project I’m working on where I interview photographers I know and admire. I ask them to answer 30 questions about themselves and their photography, and I ask them to share some of their work. I’ve really been looking forward to hearing the answers from the next photographer. He’s been a guest on a couple of photography related podcasts and I always enjoyed listening to his stories of his photographic journeys. I find his photography particularly engaging. When scrolling through Instagram, his photos always seem to stop me in my tracks. I really appreciate his perspective and his ability to draw out and communicate the interesting parts of his subjects.

The next photographer I want to introduce you to is Jess Lantz.

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I’ve never met Jess in person, but I hope to go on a photo walk with him someday. I first came to know Jess through his activity on the Negative Positives Facebook group and started following him on Instagram. I instantly became drawn to Jess’s photos. They were easy to spot, as I think his photos have a certain quality to them that really makes them stand out. I struck up an online conversation with Jess and instantly felt like I’d know him for years. He’s just one of those special kind of people. I hope you enjoy his interview as much as I did.

Q: What is your name and where do you live?

A: Jess Lantz. I live in the Pacific Northwest or more specifically South Puget Sound.

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Q: How can people contact you?

A: Website: Sojourninglight.com (someday this winter when I can focus on it on some cold and rainy day). Instagram: @Lantzjess. Maybe on Flickr in the future.

Q: If we’ve met, how do we know each other?

A: We haven’t physically met but in this day and age I know you through our online social connections better than I know some friends of mine.

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Q: What is your earliest memory of taking a photography?

A: I’d say, I was about six or seven years old. My father was a prolific amateur photographer who was always packing his Argus C3 and some kind of Ansco 120 folder. He would show me how to compose and hold my breath as I pressed the shutter button. I loved working with him in the temporary darkroom in our 1 bathroom home which was a bit of a contentious with my mother. He would put a piece of plywood over part of the tub and one of those rubber slip over the faucet hoses to the tub spout and he bought those Kodak tri chem packets that consisted of Dektol developer, stop bath and fixer. Enough for about 8 ounces of working solution each. We would use 5 X 7 trays on the counter to develop the prints. He had a Kodak cold light enlarger that could print up to 2 ¼  by 3 ¼ negatives that sat on the toilet seat. It was magic to me to watch in the glow of the red safe light the image appear on those little prints. In those days we would only print up to 5 X 7 prints, mostly 2x3 or 3½x5, sliding them into those yellow speed easels that put a nice white border around the print.

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Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?

A: Of the multitude of cameras I have more than my office can handle, I’d say the Minoltas of the Eighties are my favorites, especially the X-370. Yeah, it was cheap and didn’t have all the bells and whistles but I had a blast using it.

I started shooting 35mm with my 1st SLR, a Zenit E that my dad and I bought for a high school concert band trip to Europe in 1972. I think we paid 75 bucks for it and came with a 58mm F2 Helios lens. I literally beat the crap out of it hiking and rock climbing in the Cascades and Olympic mountains that surround us. From there I bought a Canon TLb QL SLR and stuck with Canon for a while. On to the 1st Canon AE-1 which was frustrating because it ate batteries. Here is where I got into the Minolta X bodies. Stuck with them till the early 90’s when my wife won a Canon Rebel G and I discovered autofocus! I switched to Canon Eos Cameras and that went into the Digital era with the 1st Digital Rebel I bought in September of 2003.

For medium Format I’d say the 1958 Yashicamat is my favorite TLR, just because I had one when I got serious about my photography in high school, it’s another camera that I literally wore out.

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Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?

A: Rollieflex with a F2.8 lens. I have my Dad’s Rolleiflex T with the 3.5 Tessar which I finally had CLA’d this year, but it’s got a single lever Shutter/aperture EV system that I just don’t like. But someday I want a F2.8 with the two dials to adjust Shutter/aperture. I also enjoy the Mamiyaflex C2 that I have in a complete kit with 4 lenses and all the interesting bits and accessories. (and there’s the Mamiya 645 system that I’ve got two complete kits of).

Q: Is there a camera you no longer have that you miss?

A: No, not really, because I’ve pretty much bought everything I had once owned in the past.

Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?

A: Landscapes, woodlands, urban decay, anything, I love it all. I was enamored with the work of Ansel Adams and Elliot Porter, Minor White, Edward Weston and especially his son Brett.

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Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?

A: Depends on my mission, amount of time I have, who I’m with, and basically how lazy I feel. I love anything related to photography, From a 120 year old 4x5 box camera that I’m trying to use, to my Sony A7ii. I try though to use Legacy glass on my digital gear, not that I’m a cheap bastard (well I kinda am) but enjoy using it. Using legacy glass on my original Canon Digital rebel actually led me back into shooting film again. And the world of Ebay further drug me down the film path when all of that medium format gear started to be dumped for cheap around 2007-2009.

Q: How often/much do you shoot photographs (rolls per week, month, etc)?

A: Probably 4-5 rolls a month, a ton more of digital, and that damn iPhone gets a lot of action because, as they say, the best camera is the one you have readily available. I can get shots that I could never get with a camera, because it blends into the woodwork with everyone else’s phones. People don’t notice much. Now if I had an SLR of some sort pointed at them they would notice!

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Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.

A: The only people I shoot with are my wife and my sister n law. They are both digital shooters, my wife is a Canon 6d jpg shooter that won’t listen to my opinion on shooting raw, and my sister in law shoots with the Olympus micro 4/3rds system who doesn’t listen to my extoling of the benefits of a full frame sensor. But hey, at least they are out shooting and enjoying photography.

I would love to shoot with other folks, but I don’t have much connection with photographers in my local area. Maybe I need to locate a group, but most of them are located in and around Seattle which is a pain to get to and from due to our insane traffic. I work in South Seattle and it’s enough of a commute that I don’t want more travel during the week. I did hook up with a Negative positives facebook member Michael Bartosek last spring and we shot around downtown Seattle and I really enjoyed that. Definitely want to do more of that. I’m planning a trip to Chicago to visit the Central Camera mecca sometime in the future and it would be great to hook up with some folks.

Q: What is your favorite black and white film right now and why?

A: TMAX 100 120. Love that stuff in my Holga Panoramic Pinhole camera. Love the grain structure when enlarged (digitally) just a beautifully toned film in my eyes.

Q: What is your favorite color film right now and why?

A: I don’t have one. That where I might turn people off but my color is best done with digital. Never had good luck with color print film back in the film era. The best color back then was Ektachrome slide film from my Rolleicord. Maybe if I shot some Ektachrome now but cost is too much.

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Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?

A: I can be creative and make art that I enjoy. My mother was a painter and creative but she took forever to make it. I’m lazy I don’t want to take forever to make my art. I get a sense of accomplishment when I create an image that I like and other like too. I just recently got into sharing my work on Facebook and Instagram, and I love seeing what others create too.

Q: Best experience while taking photographs?

A: We went to Ireland this summer for vacation and fell in love with that country. It was one of the best places to shoot. The Dingle Peninsula has to be the best place I’ve ever photographed! Just stunning. I could shoot forever there.

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Q: Most emotional experience while taking photographs?

A: Four years ago we vacationed in Scotland and we went to the Isle of Iona Just a short distance from the Isle of Mull. It involved a ferry boat ride form the Little seaport of Oban.

I’m not a religious guy, but man, did I feel something on the Isle of Iona. It was where Christianity was brought to Scotland in 563 A.D. by an Irish Monk Saint Columba. The abbey there an amazing place to shoot, and the ruins of the Benedictine Nunnery are absolutely stunning. The water along the shore was an emerald green contrasted by a blanket of white sand among the rocks of the shore.

Q: Worst experience while taking photographs.

A: Can’t get any worse than the stress of shooting a wedding and dealing with “Mother in Laws” I don’t do weddings anymore, period.

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Q: Tell me about something related to photography you want to learn.

A: How to use Photoshop. Back when it was first out I learned as much as I could but years later it’s gotten overwhelming and complicated. I need to spend some time with it more.

Q: Tell me about something NOT related to photography you want to learn.

A: Book binding, or book making. I want to find a way to create my work in book form. Maybe start off creating some zines.

Q: What does your family/loved ones think/feel about your photography?

A: They like my work except when I do that weird pinhole stuff and some of my side trip genre’s. For thirty years, my wife would stay in the car as I went over the edge of a ditch and into the woods, fields, near the cliff or up a trail. When I went to Australia for work several years ago, the company flew my wife down for two months, she found that she had plenty of time on her hands to wander around the city of Melbourne and she said she wanted a camera. That started her journey into taking images, so we now have that in common. My daughter also caught the camera bug from me and has started a small portrait side business taking family shots. And my sister in law started the hobby too. And has gotten into it shooting birds and wildlife.

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Q: What is the last photography related book you’ve acquired?

A: A collection of images by Aaron Siskind. I’m lucky to live in an area with at least 4 Half Price Bookstores, a used bookstore chain that originated in Texas. I find some amazing photographic related books there, much to my wife’s chagrin.

Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.

A: There are so many, I hate to single one out because there are some awesome photographers out there. Three that come to mind are @nickexposed, @antonartaud, @Rosenzart. I am very partial to B&W photography, I love texture, contrast, moody blacks, and everything about a B&W image. You don’t have color to camouflage or fall back on. Other photographers are @Nedsoldman, @Barryhitterman and @Feeling.color.less. Again there are so many great photographers I haven’t mentioned.

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Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?

A: I have sold sporadically in the past. Once some large abstract stuff for a friend’s large entry way staircase. I did a series of large waterfall prints for a psychiatrist’s office because she wanted some calming imagery for her walls.

I think it’s a struggle to sell in today’s market because there is so many people trying to sell. I also have a problem sticking to one style or genre of images. I’m a dog’s breakfast playing with so many different types of photography. Sticking to one style might be the disciplined approach, but it would take to fun out of what I like to do.

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Q: Are there any photography related projects you’re working on that you’d like to tell us about?

A: Nothing off hand. I am shooting more Kodak 2238 and playing with different way of developing it Trying to find that perfect combination… kind of like looking for the holy grail.

Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?

A: I want to write, sketch, paint, get back to my woodworking but…. Time is a limited resource and working for a living gets in the way of my hobbies. Hopefully I will retire in a couple of years when I get tired of working for a living but I’m still having fun, because it buys my toys.

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Q: Where is your favorite location to shoot (specific place or type of place)?

A: The Oregon coast, from the mouth of the Columbia river clear down to Brookings. What an amazingly beautiful place. Put it on you bucket list!

Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?

A: Other than the Tchotchke’s I find in thrift stores while I’m in search of cameras, not really. Everything is game and just depends on my mood or what I’m currently infatuated with.

Q: Favorite thing about the photographic community?

A: The variety of people, the connection, the Negative positive Film group way. If it wasn’t for this group of people I would never had met such fascinating people. Maybe one or two here and there but nothing like this bunch! Which led me to other similar groups like the Classic lenses bunch, The large format and the lensless podcast groups

Q: What do you think the photographic community is missing?

A: Maybe better cooperation between the generations? Even though there is a connection, I think it could be better. Of course, this is coming from an old guy.

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Q: Biggest photography related pet peeve?

A: Film vs digital vs iPhone bias. It’s all about the image! It’s what you see and look at, not necessarily with what you achieved it with. I use everything, they are tools in the toolbox sometimes I want a chisel, sometimes I just need a hand router.

Q: What do you hope your photographic legacy will be?

A: Maybe someone, my daughter, grandkids or generations to come, might pause a bit and see the world as I saw it. I have my dad’s boxes and boxes of slides, negatives and prints that I need to do something with to preserve his legacy too.

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Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.

A: I wish I had taken more shots of my dad. I don’t have many great shots of him, both of us being photographers, we stayed out of the shots most of the time. Somehow he didn’t photograph well in Black and white, or I wasn’t able to capture him in good light, hard to explain it. I just miss him too much.

Jess is definitely an interesting photographer and I really enjoy the photos he posts. Head on over to @Lantzjess on Instagram to check out Jess’s photos.